A Quote by Julie Benz
I have so many people come up to me, 20-some years later, and saying, "I loved you in Jawbreaker!".
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I never expected that, 20 years later, Chucky would be considered a classic, if I may invoke that term. A golden oldie anyway, something that people still care about 20 years later.
People in England were coming up to me, saying, My mother and father turned me on to your music. This happened to me 20 years ago. When I was 40 they were saying that.
I loved growing up in a little town. I loved knowing people. I loved going to the store and running into people. I loved going into the store and having forgotten my bag, saying, 'Charge it, put it on my bill.' I loved going to the gas station and saying, 'Pete, fill it up.' I loved that continuity of life.
It's human nature and one day maybe 20 years from now some young kid will come up and people will tell him "my God, you are like a young Michael Bublé. It happened to Harry Connick Jr with the Sinatra thing and now people are saying to me that I am the new Harry Connick Jr. It is a natural thing. I remember hearing interviews with Harry Connick saying "I am not Sinatra, leave me alone, I am different". It's a small thing to deal with.
I did a movie a few years back, 'Medicine for Melancholy.' People will come up to me after a set and say, 'I really love that movie. When are you going to do another one?' Or 'I loved you on 'The Daily Show.' Why did you leave?' It's kind of the same as saying, 'I loved you in high school. You should have never left.'
Some people say I'm saying what they wanna say. Some people don't agree. Some people are outraged. Some people want to see what the album is about. To me, hip-hop's been dead for years. We all should know that, come on. With that being said, then, the object of the game now is to make money off of exploiting it. That's what it's all about - get this money. That's basically what I'm saying.
We knew people in Cleveland who had been making movies for 20 years that nobody sees. Every couple of years, they make a little small movie on their own, and it goes to some minor festivals, and that's it. Four years later, they do it again. That's a fulfilling life for some filmmakers, and they're happy to work that way.
So now 20 years later people want us to get together so they can take shots at all these old babes trying to get back some youth. I mean come on; I've been there. I know what the press would do.
I'd break out in hives if I had to sing (`Stairway to Heaven') in every show. I wrote those lyrics and found that song to be of some importance and consequence in 1971, but 17 years later, I don't know. It's just not for me. I sang it at the Atlantic Records show because I'm an old softie and it was my way of saying thank you to Atlantic because I've been with them for 20 years. But no more of `Stairway to Heaven' for me.
I didn't spend a whole lot of time here, but I had the seven best years of my career in this city and having an attachment here 20-some odd years later is pretty special to me.
Our story is in two halves, as the band's career up to Freddie's death was 20 years, and 20 years later, our music is as popular as it was then. It's a sort of everlasting... income.
People who don't like you almost never come up to you. That's a lot of years of saying things that I know a lot of people in this country hate me for. And the number of times someone has come up to me and said something negative, I could count on one hand.
A country that cannot feed itself cannot have self-pride, and in the mid-'60s 20 percent of all the wheat produced in America came into India. We were agriculturally a basket case. And 15 years later, 20 years later, we have become an agricultural power. This is the famous Green Revolution.
I think being self-referential is really narcissistic. Who's to say anybody's even thinking of you that much? But some of these movies that I've done, people still recite lines to me, even 20 years later.
The thought of someone spending $20 to come and see me and saying, 'Oh, I prefer the record and she's completely shattered the illusion' really upsets me. It's such a big deal that people come give me their time.
I mean, the thought of someone spending $20 to come and see me and saying 'Oh, I prefer the record and she's completely shattered the illusion' really upsets me. It's such a big deal that people come give me their time.
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