A Quote by Julie Benz
It was a really wonderful experience [at Hi Honey, I'm Home show]. I loved Nick At Nite at the time, and I was obsessed with watching it, so just to meet some of the more experienced stars of the older shows was a real treat and a thrill for me.
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I grew up on variety shows. I'm from the '60s and '70s. I loved watching Flip Wilson. I loved watching Sid Caesar's 'Your Show of Shows,' 'The Ed Sullivan Show.' I love all of those variety shows.
A lot of times I think the cast members, the lead characters in a show really set the tone for the show. On some shows, the stars of the show will just be whining and complaining and spending the whole time texting their boyfriends on their Blackberries, and there's just no attention given to the work.
Home sweet home. No place like home. Take me home, country roads. Home is where the heart is. But my heart is here. So I must be home. Clare sighs, turns her head, and is quiet. Hi, honey. I'm home. I'm home.
When I was a kid, going to Universal Studios, which was all I wanted to do, all the time, there was a show that was all the monsters, and I loved that show. I was obsessed with Dracula. I was obsessed with Frankenstein. I was obsessed with the Wolfman.
We shot [Hi Honey, I'm Home] on location in Orlando, Florida, so I was there by myself. And I remember I was late one day, and Gale Gordon pulled me aside, and he said, "Honey, when it says you have to be here at 10 a.m., you need to be here at 9:30." And ever since, I've always been a half-hour early to my call time!
Wasn't that a wonderful thing that I had a chance to work with more great actors, big stars, than just about anyone in the history of Hollywood? And some days I didn't know with whom I'd be standing face-to-face, and I was so impressed because they were all really wonderful people. And when you work with Burgess Meredith, Frank Gorshin, George Sanders as Mr. Freeze, it's a wonderful experience.
Wayne Wang, the director, really helped me become a more mature actress. When I first started filming, I was really over the top. He just helped bring me down and make me real. That was really wonderful, a really wonderful experience. Also, what I learned about filming is it takes forever. I mean, there are so many different angles and shots. I mean, it just takes forever.
It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.
People are really nice in the world. The majority of every single person I meet is really nice. Some people get excited, and some people freak out when they accidentally run into me, but across the board most people are really nice, so I just like to treat people how they treat me.
'The Daily Show' was like my family. We had dogs in the office every day, all day. It was just such a warm, beautiful, sweet experience for me. Choosing to leave the show was so hard because I really, really loved everybody there, and I loved what it gave me and the platform it gave me.
When a show ends, I need some time to chill, as I feel that I have grown five years older after doing it! I need at least a month to rejuvenate. This happens with Indian TV shows. If you do a show continuously for more than a year, you feel 10 years older.
I used to watch a lot of Nick at Nite as a kid, and it would play the original 'Saturday Night Live,' 'The Carol Burnett Show,' and 'Laugh-In.'
'Breaking Bad' - when I started watching that show, I thought it was terrific. I love the way it was shot. I love the writing. I love the arc of Bryan Cranston's character. I just thought that was just really, really a wonderful, wonderful show.
I was a religious 'SNL' watcher all through middle school. I was obsessed with Molly Shannon, Ana Gasteyer, Cheri Oteri - they were on right when I found the show. Then I started watching the older episodes, and it just totally blew my mind that my dream show already existed.
Being in front of the audience, letting my audience see me in person - it is real intimate, you get to make them laugh and cry, they get to feel you. And then afterward, we go out and do a meet-and-greet session with the fans. It was just a wonderful experience. I really, really enjoyed it.
I don't want to go back to sitcoms - I'm a middle-aged, white guy - the high school principal who's a buffoon. It's hard enough raising kids now a days, and I don't want to be a part of a show that I'll be embarrassed watching shows like that with my kids and my mother. A lot of shows feel they need to get that for humor. You've have to have had a life experience; otherwise, it's toilet humor. If you've had a job before or experienced something, you get it. Some of these people haven't and they look for the cheap laugh.
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