A Quote by Julie Burchill

Hooliganism incarnate, a walking, talking, screaming, squawking metaphor for What's Wrong With Young People Today. — © Julie Burchill
Hooliganism incarnate, a walking, talking, screaming, squawking metaphor for What's Wrong With Young People Today.
Yeah, I'm walking through the airport, I'm walking through the street, I'm driving in my car, people just start screaming at me - 'YEEEAAAHHH!'
Keep in mind, when two enemies are talking, they're not fighting, they're talking. They might be yelling and screaming, but at least they're talking. It's when the talking ceases that the ground becomes fertile for violence.
They [Fairy Tales] are talking about real emotions, telling true stories, through the medium of metaphor. People used to understand metaphor better than I think we do now. But these stories are so potent, they refuse to die.
I enjoy talking to young people, and talking to people about helping young people. That part is not a chore. It's pretty fun, and something I like to do because I think it's important.
The food you eat today is walking and talking tomorrow.
The word "metaphor" means carrying something from one place to another . . . and it is when you describe something by using a word for something that it isn't. This means that the word "metaphor" is a metaphor. I think it should be called a lie because a pig is not like a day and people people do not have skeletons in their cupboards. And when I try and make a picture of the phrase in my head it just confuses me because imagining and apple in someone's eye doesn't have anything to do with liking someone a lot and it makes you forget what the person was talking about.
Creativity is more about taking the facts, fictions, and feelings we store away and finding new ways to connect them. What we're talking about here is metaphor. Metaphor is the lifeblood of all art, if it is not art itself. Metaphor is our vocabulary for connecting what we are experiencing now with what we have experienced before. It's not only how we express what we remember , it's how we interpret it - for ourselves and others.
Couture has a lot of issues today. Here in Paris there are oddly so few houses showing. And I'm not talking about the style. I'm talking about the sense of couture and these young actresses that you were talking about - they want long dresses that are not always the most innovative or the most interesting. So it's a bit lost.
When I read Matt Ruff's book, that was my first encounter with learning about sundown towns, and I was like 'What?' Like, you can't make this up. If I wrote this horror movie talking about sundown towns where you can't be black after dark in America, people be like, 'OK, we get the metaphor,' and it's like, no, that's real. It's not a metaphor.
I just love the feeling from the fans and when I'm walking on deck I can hear people screaming and wishing you the best. That puts you into the game more than anything.
I'm a sinner just like everybody else and I have my faults and I've been through my dark times in my life to where I wasn't walking the walk and talking the talk, or I may have been talking the talk, but I wasn't walking the walk.
I always want to be doing both to travel as a teacher and lecturer, and to be a musician. I think in this generation institutionalizing the art form and spreading it to the younger generation through education is really important for all artists to have some hand in. Right now in popular culture and the mainstream, it's not a big part at all. I think education by young artists talking to young people, not just older people talking to young people, it gives an experience never felt before. I think over the years it will do a lot for the music.
The only reason there is a crisis about Social Security in the US and pensions in Europe and Japan is that you cannot maintain a "Ponzi" scheme indefinitely. We have collected from today's young to pay today's old and counted on tomorrow's young to keep doing so. That was a fine scheme as long as the number of young people was rising faster than old people. When that ratio comes to an end, such a system also has to end.
I'm not very nostalgic, you see. I just don't think anybody has that kind of thing anymore. By culture, by breeding, by whatever, it's not there. The kids today-what the hell are they going to be? I like young people - yes, I do. But when I talk to people at the schools, and they say, "I saw you on the Twit," I don't even know what they are talking about.
I got tired of walking through Durham with people screaming 'Carolina' at me when I walk through Walmart and stuff like that.
So there are ups and downs, but the best is just the looks on people's faces when they meet me for the first time, because I am a real-life, walking, talking giant. It's not every day you see someone like me walking down the street.
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