A Quote by Julie Burchill
Women, more often than not, do things which aren't remotely relaxing but are all about preening, which is just another sort of work.
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[W]omen's magazines know that more than two thirds of women pray each day so they tend to promote "spirituality" which is warm, soft, fuzzy, and "me-centered, " rather than religion, which is definitely not. Shot with a soft-focus lens, spirituality in women's media has morphed into another method of stress reduction. Lulling and inoffensive, spirituality is more about taking long walks and buying $65 Jo Malone scented candles than making ethical decisions or moral judgments. It's another way to calm ourselves, refresh ourselves, or applaud ourselves.
Prostitution reinforces all the old dumb clichés about women's sexuality; that they are not built to enjoy sex and are little more than walking masturbation aids, things to be done to, things so sensually null and void that they have to be paid to indulge in fornication, that women can be had, bought, as often as not sold from one man to another. When the sex war is won prostitutes should be shot as collaborators for their terrible betrayal of all women.
Among the real heroines in the world who will come into the Church are women who are more concerned with being righteous than with being selfish. These real heroines have true humility, which places a higher value on integrity than on visibility. Remember, it is as wrong to do things just to be seen of women as it is to do things to be seen of men. Great women and men are always more anxious to serve than to have dominion.
I actually felt like college was a much better and more comfortable environment for me than high school was. I think that can largely be attributed to the fact that I go to Barnard, which is a women's college that promotes women's leadership, a strong community and independence which are all things I obviously value. Before I got to school I think I expected most women there to identify as feminist, which I found wasn't necessarily the case, but I loved that I was able to have really intelligent and stimulating conversations with women about feminism no matter how they identified.
A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.
An artist attunes to what things are, which means sort of listening to the future, which is just how things are - I think time is a sort of liquid that pours out of hatpins, underground trains, salt crystals. So a work of art is also listening to itself, because what it is never quite coincides with how it appears, too.
Come back to square one, just the minimum bare bones. Relaxing with the present moment, relaxing with hopelessness, relaxing with death, not resisting the fact that things end, that things pass, that things have no lasting substance, that everything is changing all the time-that is the basic message.
I do think of my reader, or listener, really, more often, if I give a lecture, for example, and I know that I'm talking to these people; I enjoy sort of preening them a bit. But it's a matter of decorum, basically.
I pay my models to work with me, so there becomes this weird sort of economic bartering thing, which made me feel really sort of uncomfortable, almost as though you were buying into a situation - which, again, is another way of looking at those paintings. The body language in those paintings is a lot more stiff.
And after a while, you just pare things down more and more and more, until you get to certain basic things which just - basic ideas which just seem to work for you over and over again.
If you think about the contexts in which we talk about things being fun, often there's a certain kind of misery or effort that's involved with it. The difficulty of travel, getting all your bags packed and your work done and navigating the airports and all that. That sort of struggle.
There are certain things in which one is unable to believe for the simple reason that he never ceases to feel them. Things of this sort - things which are always inside of us and in fact are us and which consequently will not be pushed off or away where we can begin thinking about them - are no longer things; they, and the us which they are, equals A Verb; an IS.
I think it's true for men and for women, if you are even remotely attractive, people will assume you're just another pretty face and you don't have the work ethic or the talent to put in the time to flesh out a career.
Some readers sort of suspect that you have another book that you didn't publish that has even more information in it. I think that readers sort of want to be taught something. They have this idea that there's a takeaway from a novel rather than just the being there, which I think is the great, great pleasure of reading.
Life and work are not things apart. Work is more than gaining privileges and possessions; it is ongoing, ecstatic, LIVING experience. When we tap into living experience, we no longer feel as though we must be king. We can just be ALIVE at work! When we live in the bliss, there is no difficulty which is insurmountable. If we miss the bliss, there is no compensation which is adequate.
Scholars, who pride themselves on speaking their minds, often engage in a form of self-censorship which is called "realism." To be "realistic" in dealing with a problem is to work only among the alternatives which the most powerful in society put forth. It is as if we are all confined to a, b, c, or d in the multiple choice test, when we know there is another possible answer. American society, although it has more freedom of expression than most societies in the world, thus sets limits beyond which respectable people are not supposed to think or speak.
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