A Quote by Julie Burchill
As I get older I think, contrary to modern assumption but in line with the old Lerner and Lowe song, that it would actually benefit both them and society if - to quote Professor Higgins - a woman could be more like a man.
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Women's lib, Frannie had decided, was nothing more nor less than an outgrowth of the technological society. Women were at the mercy of their bodies. They were smaller. They tended to be weaker. A man couldn't get with child, but a woman could---every four-year-old knows it. And a pregnant woman is a vulnerable human being. Civilization had provided an umbrella of sanity that both sexes could stand beneath.
Most men believe that it would benefit them if they could get a little from those who have more. How much more would it benefit them if they would learn a little from those who know more.
There are a lot of similarities between Jonathan Higgins and Juliet Higgins: they're both British, they both come from military backgrounds, and they're both control freaks.
A song stylist is, like, to take an old folk song like "Delia's Gone" and do a modern white man's version of it.
I think, again, neither of these candidates [Donald Trump and Hillary Clinton] is blowing me away. Actually, I would like both of them to get more policy specific.
When you're 21 you think, "Old people sound like this. Old people think like this." I don't think my ideas about aging and about eternal life changed that much, but it became more poignant to me as I did get older and I could better imagine, as you sort of inch closer to death every day, why legacy, more than aging, becomes important to people.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
When I was at the University of California at Berkeley, I went to some classes that must have had more than four hundred students in them. I almost always sat in the far back of the auditorium so I could read the newspaper. I remember that I stayed late one day to ask the professor a question, and when I got up to him, all I could think to myself was, 'So this is what the professor looks like.
You could be a woman in Alabama who's a conservative Christian, or you could be a total crunchy-granola woman in Seattle and 20 years old, and both of you would watch Oprah.
The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.
I would like to be able to do a song with Ray Charles, before we both get too old.
The classics of Marxism talked of communism as a society to which a modern society should aspire, a society truly fair, where the relations of monetary exchange were not the priority but one wher the people's needs could be satisfied, and where people would not be worth more according to how much monetary wealth they acquired. Instead their value would be based on their contribution to society as a whole. It would be a society without class that would accept people based on their capabilities and their potential to contribute to that society.
I understand that actors lose their looks, they change over time, but people don't lose their talent. I think that, as people get older and the people who make the decisions get older, they don't like hiring people much older than them because it reminds them of their fathers, and they don't like telling people older than them what to do. It makes them uncomfortable. I think that happens a lot.
If I can challenge old ideas about aging, I will feel more and more invigorated. I want to represent this new way. I want to be a new version of the 70-year-old woman. Vital, strong, very physical, very agile. I think that the older I get, the more yoga I'm going to do.
Actually think anybody ever approaches writing any song, I think the song approaches them, truth be told. Usually what happens is that a song arrives and afterwards you say that "I wrote the song," and it's not actually true; they find you, they write themselves.
During those times like in my early years as a writer I could actually write a song in ten minutes because all of a sudden a song is writing itself, I'm just putting down words. It just seem each line that you put down flows with the other ones. It's like writing a love letter you don't think about it, it's something from the heart.
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