A Quote by Julie Chen
I don't know what's going on that I'm hosting the Emmys during really hard times. But I guess it's an honor and a privilege that I'm the one who gets to try to walk that line of making people feel good.
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The photographer begins to feel big and bloated and so big he can't walk through one of these doors because he gets a good byline; he gets notices all over the world and so forth; but they're really - the important people are the people he photographs.
I said, "OK, Ammon [Hennacy], I will try that." He said, "You came into the world armed to the teeth. With an arsenal of weapons, weapons of privilege, economic privilege, sexual privilege, racial privilege. You want to be a pacifist, you're not just going to have to give up guns, knives, clubs, hard, angry words, you are going to have lay down the weapons of privilege and go into the world completely disarmed."
I wrote on the Grammys, and a few times for Garry Shandling when he was hosting. I couldn't have enjoyed those gigs more, because I would get to collaborate and try to make people I looked up to laugh, but for the most part, when you're as talented as they are, what they really want is someone who can type fast and whose presence makes them feel in the mood to write and spew and be creative, and I was a good person to have in the room.
Hosting the Emmys is a challenge for me. I guess it's the equivalent of someone who needs to climb a mountain or jump out of a plane. It's that kind of thing, where this could go terribly wrong. And I love the feeling of when it goes right.
My faith, I mean, that's such a personal aspect that a lot of times, of course it's going to come out through the song. But at the same time, I'm not a religious salesman. I feel like God doesn't really need a salesman, and what these songs are are simply my interactions with this life and learning. I guess the bottom line is the songs are really honest, you know what I mean. That faith is going to come through. If the listener is looking for it, that's definitely a part of it.
I really do try hard to be a good teammate. I can't run very fast, but I try to always run hard. I may strike out a lot, but I try to walk to set up the guys who are hitting after me.
There's a thin line between catering to the masses and making a fool of yourself; I try to walk that line.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue. If it does, I can feel a sense of momentum - the poem finds a reason for continuing.
It's definitely a privilege to be able to do what you love to do; it's not something that everyone gets to do, so I feel really good about that.
I've always tried to walk a line between being incisive and acerbic, but not mean. Sometimes I'm going to tip over the line a little bit, but that's usually a line I try not to cross.
At such times the universe gets a little closer to us. They are strange times, times of beginnings and endings. Dangerous and powerful. And we feel it even if we don't know what it is. These times are not necessarily good, and not necessarily bad. In fact, what they are depends on what *we* are.
Hosting a game show is so bizarre and uniquely its own thing. Anytime I'm hosting something, I try to bring as much of myself to it as I can, but it's always going to be incomplete.
It's like I was always not quite sure even how to move in space somehow; I would watch people and then copy them. I found it really hard to walk straight. My brother was always on at me for walking off the pavement. I guess I always expected people to bring me back into line.
That's what really gets me going, thinking about my past. I think about all the tough times and bad times I've had in my life and I bring all that into the Octagon. That's only because it's hard going in there trying to fight someone who didn't do anything to you.
If you work hard at anything, you're going to experience some success. And the greatest gift is when you have something you really love to do and you can integrate that into your work life. I feel like it's a real privilege that I get to do something that is good for my community and good for the world. But it's also pleasurable for me.
A lot of times, when doing the paranormal research and doing an investigation, you don't know what you're going to encounter. You don't know what you're going to come up against. People have to realize that we don't know them and they don't know us. I'm talking about the people that live in the homes. Sometimes you don't know what you're going to encounter, what type of situation you're going to walk into.
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