A Quote by Julie Christie

I was utilized because I have a certain face that works well in cinema, and I'm used to making myself look as good as possible — © Julie Christie
I was utilized because I have a certain face that works well in cinema, and I'm used to making myself look as good as possible
I was utilized because I have a certain face that works well in cinema, and I'm used to making myself look as good as possible.
I want to take a close look at the SBA to see what works, what doesn't, what is duplicative, and what isn't even being utilized. We'll focus on what they do well and strengthen those areas.
I would be open to doing cinema anywhere in the world. I wouldn't want to restrict myself to a certain kind of cinema or a certain language or get typecast.
Almost every comedy you see is about people making all wrong choices and making all the errors of judgement possible. Good comedy is when it works on this scale. Because it is psychologically very real.
I would personally not run down any cinema just because I am not capable of making it. Anurag Kashyap makes a certain kind of cinema; I make a different kind. But when we meet, we are friendly.
Yes, and I had pimples so badly it used to make me so shy. I used not to look at myself. I'd hide my face in the dark, I wouldn't want to look in the mirror and my father teased me and I just hated it and I cried everyday.
I am not interested in making didactic polemical statements. That is not the way I want to make films. There is a place for polemics, but I don't think that it is in fictional cinema. Fictional cinema works subtly and deeply.
Making movies is what I'm good at. Cinema is the means through which I can best express myself.
My favourite way of watching the cinema is the biggest possible cinema you can find, with the biggest possible screen, and the loudest possible Dolby - but just me. Nobody else.
I realise that every time my face is on TV or I'm playing in a tournament, that I am a role model for a lot of people and a lot of kids do look up to me. I try to do my best in that regard and put myself across as honestly and as modestly as possible, as well.
Well, as a visual artist working with the phenomenon of cinema, the grammar of cinema, [making a feature] was bound to happen. Everything I do is like sculpting with image and sound.
I talk periodically with the producers at EA and I try to be as honest as possible because as great as EA does, you just don't want to hear good things. These people are really passionate about making games and making them as realistic as possible.
Vellimoonga' works at the box office because there is an inherent honesty to the film. Nothing about the movie has been exaggerated; it's a comedy that is clean and maintains a certain standard that harks back to Malayalam cinema's past.
I used to tell myself that I am a good actor, I have a good body, I have a pretty face, have long hair, have a good soul, so if there is one thing I don't have, don't make a big issue of it.
As a teenager, in my songbook, I used to script what my lighting would be like. I used to dance in my roo;, it was like putting myself in a trance, and making myself feel good about things, almost like a private ceremony of begging people to like you.
I'm now in my mid-thirties, so I look in the mirror and my face is changing, and I have a different relationship all of a sudden with myself. Your face changes, things change - that's just kind of what happens. It's hard, though, in this industry, because I think so much importance is put on how you look, and I'm not brave enough to be like, "You know what? I'm just going to let it happen. Whatever. I'm so cool with every line on my face."
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