A Quote by Julie Christie

I did things like Shampoo and Heaven Can Wait. I don't know what those films were about. The women I played in them were not very empowered. — © Julie Christie
I did things like Shampoo and Heaven Can Wait. I don't know what those films were about. The women I played in them were not very empowered.
In the weeks that followed, we amazed ourselves. Our habits slid apart easily...And our very few intimacies were simply discontinued. Where did they go, those things we did? Were they recycled? Did some new couple in China do them? Were a Swedish man and woman foot to foot at this very moment?
My early films were very European based. It was 'As It Is In Heaven,' 'Together,' they were great international successes, but then I did, I think, 60 movies or something.
Not to get too deep, but I was brought up by these women who if you wanted to label them, maybe they were feminists, but you know what? They never asked for that or wanted it and they never got up on a soapbox and spoke about it, they just did it. They did their work, they did their jobs, they were who they were.
In all the horror films that I have done, all of those women were strong women. I don't feel I ever played the victim, although I was always in jeopardy.
I played a definite part in it. I guess the things that I played in films and the way the nudity and the love scenes were handled were really different.
Our characters were antiseptic but we weren't. And if you remember what we did on BATMAN, as the scripts were written very funny, we played them very straight.
I began to think about those that were in my situation that were not able to walk out of an abusive marriage, or maybe those that did not know where to go, that were in a single headed marriage, or widows. I was thinking what it was I could do to reach out to them.
I've done five films directed by women. I did like it. They had qualities, particularly in the romantic tenderness of scenes. I felt sometimes they were a little bit soft, but maybe they were clever to get the guys working the way they wanted them to.
The Grateful Dead were very kind. It was Santa Claus. It did good things. It allowed other people to benefit. The benefits that we played were enormous, and we played free. So you've got a band that loves to play free, and that was a wonderful thing.
Many are concerned about the monuments of the West and the East -- to know who built them. For my part, I should like to know who in those days did not build them -- who were above such trifling.
If you were in the film industry at that time, you were always picked up by directors who were much older. You were whisked about and shown things. I did work very hard though.
I did sit in cinemas as a kid looking at English and American movies thinking, "Wouldn't it be great if the characters were like real people?" And the worst thing is films are constantly advertising themselves, drawing attention to their style of things. But actually I make films that I think are extremely sophisticated and cinematic. But you don't want the audience thinking about the bloody film. You want them to think about what's going on, and believe in it. Be flies on the wall, you know?
These things you did were like prayers; you did them and you hoped they would save you. And for the most part they did. Or something did; you could tell by the fact that you were still alive.
When I first started, in 2006, it was an exciting time. Independent, cool, weird artists were being successful, and magazines were writing about them, and people were getting played on radio that were, like, really good.
There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those films.
I loved cinema from a very young age. I was also obsessed with Hitchcock and actresses like Kim Novak in Vertigo. They all played heroines and were strong, powerful women, yet they were very feminine.
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