A Quote by Julie Delpy
I think anyone who has had a fight and who's a very good observer of the situation and people's behavior is capable of writing a fight. But you do start thinking about writing during the fights that you have with your partner.
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Welcome to Fight Club. The first rule of Fight Club is: you do not talk about Fight Club. The second rule of Fight Club is: you DO NOT talk about Fight Club! Third rule of Fight Club: if someone yells “stop!”, goes limp, or taps out, the fight is over. Fourth rule: only two guys to a fight. Fifth rule: one fight at a time, fellas. Sixth rule: the fights are bare knuckle. No shirt, no shoes, no weapons. Seventh rule: fights will go on as long as they have to. And the eighth and final rule: if this is your first time at Fight Club, you have to fight.
Yes, I think about having a career in boxing, but I want to start from the bottom, start from zero. I want to get ranked and one day fight for a belt. I don't want to fight just to fight, for money, to go after big fights and challenge a great champion.
This is what I tell, especially young women, fight the big fights. Don't fight the little fight... Be the first one in, be the last one out. Do your homework, choose your battles. Don't whine, and don't be the one who complains about everything. Fight the big fight.
Inevitably I draw on my own relationships when I write, so if I'm writing about a fight between a husband and his wife, of course I'm going to think about a recent fight with my husband. Or if I'm writing about sisters, of course I'm going to think about my sister.
Sometimes you have a fight with your wife, I have a fight with your friend, is normal life. And sometimes you have a fight in your job, too. But it's not very important, little fights.
I'll fight anyone; I don't hide from anyone. I don't try to get easy fights. I don't sit down and wait. I want to be busy, and I will fight anyone put in front of me.
When people are in a workplace where it's possible to organize and engage in labor actions, that's how they fight, and it can be very effective. When people are not in that situation, they fight in other ways. They fight in the marketplace. One need only notice that there's been a meaningful shift in where people are over the last thirty, or fifty years from traditional productive industries toward a kind of work that involves circulation of capital and products, and toward unemployment. People who are in that situation are unlikely to fight somewhere else.
I don't think I need the rematch. I won the fight; I think I'd win a rematch. But the thing about it is, I want to be in big fights, fights where there's a lot of buzz, a lot of people wanting to see the fight, and a rematch with Nick Diaz fits the bill.
I like Cung. He's a good guy and a good martial artist. He doesn't sell a fight very well, but he looks great and he fights hard. He definitely fills two very important requirements for building a fight.
To write more from memory and to be more creative - I think - because I am still writing about Los Angeles but I can't walk out my door and immediately drive to places I am writing about. So I think it has been a very good change for me after 11 books to start writing this way.
Fight, fight, fight and more fight. If you have that burning desire in you, if you're just one of those guys that does not like losing and you fight and you fight and you fight, that's what makes you a good wrestler.
When people speak to me of the torment of writing, I can think only of what it was like before I wrote: once writing meant writing and not thinking about writing, I knew nothing of any torment.
If the writing is good, then the writing is already funny. All you have to do is make this funny writing true to the very deepest of your heart, and the fact that you are capable of making this true will be hysterical.
You have to fight because you can't count on anyone else fighting for you. And you have to fight for people who can't fight for themselves. To get anything of real value, you have to fight for it.
I started working for the 'NY Observer' when I was 33. After I had been writing for them for about a year and a half the editor said, 'Your stories are the most talked about stories in the 'Observer'; you should have your own column.'
When you get into a fight with your partner or a friend, you usually have some weird, specific thing that you hold on to that you fight about that has nothing to do with what's going on.
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