A Quote by Julie Delpy
I'm not going to pursue it the way that actors pursue it which means going to all of the auditions and getting a job and all that stuff, because I don't really need to get a job because I have a job as a writer/director. That's how I make my living mostly now. So I don't need to make a living as an actress.
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I have to be out there to sell these fights; it's not because I really enjoy getting made up and going to work every day. It's cool, it's an awesome job, but it's still a job. I'm doing it because it helps me make a living and not because I'm so extremely vain that I want to see my face everywhere.
Your agents and your managers will always say stuff to you like, "It's really important to make a good first impression on a casting director. And even though you didn't get that job, because you did well that means they'll keep bringing you back in." But when you really just need a job to pay your rent, that stops being very consoling.
Writing is an art but also a craft, which means it's a job. I don't teach. This is how the groceries get on the table. You sometimes make creative sacrifices to get the job done. All that said, I'm looking forward to getting out of the two-book-a-year schedule I'm on and to getting some self-indulgence going.
Working with young actors is really going with trust. I never see them act beforehand. Because that's not their job. It's my job to make it happen on set.
By the time 'Suits' had come around, I had been acting for maybe six years. 'Deal or No Deal' - I like to call it my very lucrative waitressing job. Most actors find a way to make a living while they're auditioning, and for me, holding a briefcase was an incredibly lucrative means of being able to pursue what I really wanted to do.
My teachers believe that the creative producer's job is to service the vision of the director, to stay within schedule and budget, and to get the studio what they need, but you work for the director to get their vision on the screen. That's not how everyone approaches producing, but it is certainly how directors like you to approach producing. How I was brought up is that my job is to help you make the movie you want to make.
There should be no unemployment. There is large percentage of labor now which cannot make a living because wages are not high enough. That is industry's 2nd job. 1st job is to make good product. 2nd pay a good wage.
Let's say you're auditioning for a part or you're going for a job you really want. You have to go in with a sense of self or you're not going to get the job. You need your ego to get what it is that you want to make things happen in your life.
My job as an actor is to try to do what the director wants me to do. I'm going to do everything I can to incorporate that note and make it work. If it doesn't work, I'll try this kind of thing, and "How do you feel about that?" If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy. Even when I was younger, there were times when you have to find a way to make it work for both of you.
In a way, the songs are written to be performed. I put them on records, but I'm always thinking about how an audience would react to it. I realized at age 7 that I wanted to be a performer, and I used to do that, and occasionally I'll get an acting job. I don't really make much of a living as an actor, but it's fun to do it when I get a job.
It seems to be that more and more people are asking you to work for nothing on films, and that's unfortunate because you have to make a living. On the other hand, I don't do a better job because I get paid a lot of money. I'm never like, 'I'm not going to work as hard because I'm not getting paid as much.'
An actors real job is going on lots of auditions! When you book the job that's the fun part!
Hillary Clinton said we need to bring back vocational education in high school. We need to support community colleges. We need to make sure that people who are not going to finish college have a job waiting for them and the skills to do the job. These are all - have become fairly standard Democratic policy positions.
The best way to create a winning team is to train them, give them everything they need to get the job done and second, make sure they know what the job is and what the job will be. So you connect strategy to resources.
Fundamentally, I do a job at which I can make a living and I like it. That's the bottom line. I still really enjoy it. I like getting up and going to work. I've spent my whole adult creative life doing this.
I didn't have a job because nobody would hire me. My friends were getting hired, and I couldn't even get a job interview. That really rocked my self-esteem because I didn't understand what I did wrong on those job applications.
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