A Quote by Julie Delpy

Performing is the hardest thing. Even though I've done it for so many years, it's still exposing yourself. You suddenly become extremely vulnerable when you're on camera. You're filmed and you're being observed. It's a bit of a violation each time.
When I told my mum I was going to play my first gig when I was 14, she couldn't believe it, cause I was painfully shy at that time. But I just done it, put my head down and got through it. And I suppose there's still a little bit of that, even though it's many years later and I've been doing it for a long time.
Even though it's become a really cliched thing to see musicians working for charity, it's still effective and it still has to be done.
Being vulnerable is the hardest thing for so many people, including myself, but it's also the most satisfying thing.
The layering of sound is by no means a two-dimensional process. Even though I've been doing it for a number of years, the diversity of it is so intriguing. It's a bit like traveling across the water. Though you may have done it time and time again it always hits you in a different way.
You put so much of yourself out there as an actor. You show the many facets of who you are when you're performing - or who you could be - you show yourself angry, upset, sad, vulnerable. The one thing I keep as my own private secret is the music.
Performing doesn't come that naturally to me, even though I've done it for years.
Dustfinger still clearly remembered the feeling of being in love for the first time. How vulnerable his heart had suddenly been! Such a trembling, quivering thing, happy and miserably unhappy at once.
People are so used to having their lives filmed, they're not even conscious of having cameras around. I still have that sort of suspicion when a camera comes out. I view it as a thing to fear.
The most important thing, in anything you do, is always trying your hardest, because even if you try your hardest and it's not as good as you'd hoped, you still have that sense of not letting yourself down.
Of course, I was 19 years old, and I suddenly lost my legs. It was extremely traumatic at the time, but I'm so beyond that. I've done so much with my life.
One of the reasons I went back to music even though I was extremely ill was because I started to forget who I was aside from being sick. And when I'm performing, or even lecturing, it's like I'm myself again, and that was a really amazing discovery - that, all of a sudden, I have a get-out-of-jail-free card.
By exposing yourself to risk, you're exposing yourself to heavy-duty learning, which gets you on all levels. It becomes a very emotional experience as well as an intellectual experience. Each time you make a mistake, you're learning from the school of hard knocks, which is the best education available.
The stigma that used to exist many years ago, that actors from film don't do television, seems to have disappeared. That camera doesn't know it's a TV camera... or even a streaming camera. It's just a camera.
I've made many documentaries, but prostitution was the hardest in terms of gaining the trust of the people being filmed.
I found that each time I opened my camera and filmed Jerusalem, its image was overtaking what I wanted to express.
I can remember the moment when I suddenly felt that the camera was a living partner. I suddenly felt this is art, and the camera is a co-operative living person. After that I was extremely happy to act in films.
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