A Quote by Julie Delpy
I find most films about fashion terrible because they are caricaturish.
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Fashion has a reason to be, because in fashion you can find new kinds of expression about human beings. It's my way to communicate.
Just like you have a fashion council in Delhi to organise fashion shows, promote Indian fashion, etc, there must be such a body for films as well, especially because Delhi is now becoming the hub for movie shoots.
I really learned a lot from collecting clothes because I got to go back into the history of fashion and fashion photography and jewelry. It changed how I felt about fashion and about what I did forever because I used to look a little bit down on myself for it.
I like to work with people who want to make films because they are passionate about films and not because they want to sell films and make money. I am not for people who get the most saleable actor and then the most saleable director and sell the film.
I did a lot of terrible TV shows and was really terrible in them, and I've done terrible films I was terrible in, but nobody really noticed.
When I started doing Hindi films, I did not know much about fashion. I got to know about it when people criticised my fashion sense.
Film is a narrative format. Some fashion films try to retain some of the poetic mystery, but most of the time they only end up looking like some crappy, pretentious film-school thing. So I think the interest in film is really about the fashion world finding another form of expression.
The best and the worst thing about fashion is that anyone can do it. But because fashion can be the most unintellectual thing, you have to turn it into an intellectual exercise just for your own sanity. You have to start with a conceit.
I find just in terms of free time I'm always envious of people I know who... listen to music, watch films, play games, read books. I have to pick. And I find frequently that if I've got Sophie's Choice, I'll try to keep up with music and keep up with films. So my book reading and comic reading and game playing is terrible and infrequent.
I don't really know much about the fashion world. I have a few stylist friends that help me find stuff. So they know all about the vintage fashion world; I just kind of describe to them what I want and they find a lot of it for me.
I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.
It's a terrible thing to make films that are never seen or experienced by audiences. Often times nobody knows about them, even though they are great films. They are not promoted and that's really sad.
I'm very interested in fashion shows. For me they're at the center of everything. What happens on the side, that's the energy - it's fashion week - but fashion shows are at the heart of it. I function more like a stylist. I'm inspired, and then I try to find it on the street. What's great about a blog is that you can do completely crazy things like take the moustache shoes Marc Jacobs did for Louis Vuitton for spring and talk about what that has to do with moustaches. In fashion, what people are looking for is inspiration and new ideas all the time.
You hear terrible stories because there'll be a story about some terrible kid, but most of the kids I work with are terrific kids. They're poor, maybe their families are broken, so they're not coming home to a mom and dad and a nice dinner every night. But these kids are capable.
When I did 'Bird,' it was a surprise to some people, first because I wasn't in it and second because most of the films I'd been doing were cop movies or westerns or adventure films, so to be doing one about Charlie Parker, who was a great influence on American music, was a great thrill for me.
I don't watch my own past films: when I watch them, I find they don't work very well, because I have changed. If I continue to make films, in fact, it is because I always want to repair my films. My inner rhythm has changed; I have changed. I have changed my way to film.
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