A Quote by Julie Foudy
When they asked me what charity I wanted to play for on 'Who Wants to be a Millionaire?' the first thing that came to my mind was that this would be a great opportunity to let people know about TOPSoccer.
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Everyone always wants to talk about 'True Blood' and 'Battlestar Galactica' - no one's even interested in 'Durham County.' It blew my mind when I came to Canada and no one asked me about the show. So many people didn't even know about it. They didn't even know it was on the air! It's very curious to me.
For me, in general, it's always about the material. Obviously, it's about the material and hoping that someone wants to hire me for a job, too, but I've certainly seen films like 'Orphan' and movies like that where I know that if I had had the opportunity to read that script or had an opportunity to do it, I would have wanted to do it.
For me it came from the material. It was so well written and brought the opportunity to work with great actors. And of course the opportunity to mince about was an added element that I wanted to take advantage of!
For me it came from the material. It was so well written and brought the opportunity to work with great actors. And of course the opportunity to 'mince about' was an added element that I wanted to take advantage of!
When I was a kid--10, 11, 12, 13--the thing I wanted most in the world was a best friend. I wanted to be important to people; to have people that understood me. I wanted to just be close to somebody. And back then, a thought would go through my head almost constantly: "There's never gonna be a room someplace where there's a group of people sitting around, having fun, hanging out, where one of them goes, 'You know what would be great? We should call Fiona. Yeah, that would be good.' That'll never happen. There's nothing interesting about me." I just felt like I was a sad little boring thing.
We came to a great country like Canada that took us in, which is amazing looking back at it. At that time, I didn't know if I wanted to play soccer or not. I didn't know what I was supposed to do with my life, but once I came to Canada and started watching it on TV, my dad and brother played and watching them play, I wanted to do that too.
If you would've asked me about getting a pilot's license before 2005, I'd say you were crazy. After I graduated college, a fighter pilot asked me if I wanted to go up on a flight in a single-engine plane. I always had a fear about being in an airplane, but I took this opportunity to go up on my first flight in a single-engine rather than a big commercial plane I was accustomed to. I was hooked and made a commitment to become a pilot. I wanted to motivate others to not let fear stand in the way of their opportunities.
I did a production of 'Journey's End,' an RC Sherriff play about World War I, at the Edinburgh Festival. I was 18 and it was the first time that people I knew and loved and respected came up to me after the show and said, 'You know, you could really do this if you wanted to.'
The stuff I did in 'Rescue Me' was great. It gave me the opportunity to play comedy, and Denis Leary was the first one to take a chance with me. And from that experience, we had a comedy pilot that we did that I was going to play the lead in. And then 'Person of Interest' came along. They're all new experiences.
I've always wanted to model and act. My first break came to me when I was at a parlour to get a haircut. The salon owner asked me if I would model for them.
I remember my last game for Newcastle in the pre-season, when their fans were singing that they wanted me to stay, but when the opportunity came to play for a great club like Liverpool with such a great history, I had to take it. I hope they understand why I made that choice to go to Liverpool.
No one hid their interest when I walked into the room. I'm not sure if it was the news about Boo or my general appearance. At home, people would have asked. People would have been crawling all over me for information. At Wexford, they seemed to extract what they wanted to know by covert staring.
When Philip Glass asked me if I would be interested in doing a new recording of Jesus' Blood he assumed that I would do something similar to the first version and wanted to know what other pieces would be on the same CD.
In 2009, Scott Rudin sent me August's [Wilson] original screenplay [Fences] and asked me what I wanted to do with it. He wanted to know if I wanted to act in it, direct it or produce it. I said, "Well, let me read it first."
I got on the phone with the president of my label and I said, "Obviously, I write songs in a lot of styles and play a lot of different kinds of music. We're getting toward the end of our business collaboration. If you could envision a record that you wanted to hear from me, what kind of record would it be?" It wasn't like asking him to fill an order, it was really just a conversation. For all the things I'd ever asked him, this was one thing I'd never asked, and I don't know why. So I was curious. And the thing that he was most interested in hearing was a solo record.
I always knew I would sing. I just didn't know if I would be successful or not. But I sang at school, I sang at parties, I sang at church. Everyone always asked me to sing. I'd be playing football with my friends, and my parents would ask me to sing for their guests. I was never very happy about that because I wanted to play football.
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