A Quote by Julie Halston
Don't chew gum at an audition and wear really bad clothes. That doesn't work. You need to hear that! You need to hear practical advice.
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I think we need to be sexy and kind of mysterious and still pretty and beautiful. I like to hear that when a man sings. I don't really want to hear about taking my clothes off.
I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.
I've always believed that you often need less. You don't need to hear why people are friends, you don't need to hear why people are roommates, you don't need to hear why someone would help a friend to do something.
Good advice is priceless. Not what you want to hear, but what you need to hear. Not imaginary, but practical. Not based on fear, but on possibility. Not designed to make you feel better, designed to make you better. Seek it out and embrace the true friends that care enough to risk sharing it. I'm not sure what takes more guts-giving it or getting it.
I play with feeling so I need to hear what is coming out of the amplifier to inspire me; I don't just play mechanically. I need to hear what I am doing in order to create the next note. If I don't hear it then I can't feed myself.
I know I'm stronger in the songs than I really am. Sometimes I need to hear it myself. We all need to hear those empowering songs to remind us.
I play with feeling so I need to hear what is coming out of the amplifier to inspire me; I dont just play mechanically. I need to hear what I am doing in order to create the next note. If I dont hear it then I cant feed myself.
When you are influential and highly respected, people tend to tell you what you want to hear, not what you need to hear. They are seeking your approval, or they flatter you. Unfortunately, this creates a gap between what you hear and reality. If you find yourself in that situation, you will need to work extra hard to get the people close to you to speak honestly into your life. And you will have to become highly intentional in observing and listening.
I just prefer instrumental. I don't need to hear what other people are singing. And if I need music as a backdrop to work or to think, I need to have that part of the brain clear - I don't need people feeding their fantasies into my vision.
My tendency is to want to say to the person, "Do you understand why I feel this way?" I usually do say that. And sometimes it doesn't go well. By this I mean we hit an impasse again. Not that I need to hear exactly what I want to hear, but I need to know I am heard. Those moments make for a better friendship. But I can't let it go. For good or bad.
Here's some free advice; like the folkies of yore, you need to be not just a writer of songs, you need to be a lover of songs, a listener of songs and a collector of songs. If you hear a song in a club that knocks you out or you hear an old recording of a great song you never knew existed, it does not diminish you to record it; it actually exalts you because you have brought a great song from obscurity to the ear of the public.
I would advise you to keep your overhead down; avoid a major drug habit; play everyday, and take it front of other people. They need to hear it, and you need them to hear it.
Usually I can hear the pianos, the saxophone, and usually I can hear Ronnie. But I really need to listen to Keith and Mick. The rest of the band is sort of an embellishment to that.
When you're focused, you don't hear the crowd noises, you only hear what you need to hear.
Maybe if you live in Brooklyn, you don't need to hear that? But please, trust me, in most of America, they do need to hear it. And they're quite thankful that somebody came out and did it. For an hour and a half in that theater, for once, they're in the majority.
I don't need to hear Bill to go through a song. I need to hear Keith to go through a song. I know Bill will be playing what I'm playing anyway. I need to hear Keith because it's all there: the time, the chord changes, and all the licks you have to follow.
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