A Quote by Julie Halston

A lot of times if you want to get another agent, agents actually make you do monologues in their offices. They still do that! You've got to come up with something! — © Julie Halston
A lot of times if you want to get another agent, agents actually make you do monologues in their offices. They still do that! You've got to come up with something!
If you want to be traditionally published, then you most likely want to get a literary agent. To sign with an agent, you need to send them a query letter, but agents can get up to 20,000 query letters a year. With numbers like that, it helps to get in front of agents with every opportunity you have.
I had been doing summer stock every summer while I was in college. We did a showcase, like most good conservatories do - monologues and things that agents and casting directors come to see. From that I got an agent.
I feel like a lot of times when you get signed to an agent they just send you everywhere, so I still audition for a lot for voiceover stuff. I actually don't book a lot of it, and I love doing it so I get disappointed because I want to do more voice stuff.
Before stand-up, I didn't even have an agent. Once I started doing stand-up - boom. I got an agent. In fact, I got three agents. I got a lawyer. Now I get taken seriously.
You come out of your MFA program with a cogent clutch of stories, trying to get an agent interested, and she or he admits these are quality, sure, but this agent actually needs something the publisher can make money on. So you get kind of bullied by the market into writing a novel.
The whole concept of the travel agent is absurd. They appear to be agents of the traveller but are actually agents of the airlines.
An agent won't help you get drafted higher, won't make you win more games, and won't make you faster or stronger. They all say they can, but the people who do the drafting don't talk to agents. They talk to coaches, they watch film, they talk to the people who've worked with players. They don't talk to agents.
I think that a really good agent should be able to get the right publisher, which the agent has already figured out, get as much money as she can from that publisher, and make a deal, rather than have the amount of money determine the sale. That's what the best agents do.
A lot of times when songwriters get together and write a song... somebody will come in with a hook and a lot of times they come out with something that sounds a little crafty.
My agent came to me with a deal from another publisher and I signed a deal and got the advance with no idea of what I was going to do. I probably procrastinated for almost a year, but we had meetings and I was basically going to spoof "Take Ivy," but then it kind of turned into something else. I wanted it to be a book of all the things that made me who I am, like Brooks Brothers, Hot Wheels, "The Andy Griffith Show" and G.I. Joes. I couldn't sit still and do it, so my agent had to come to my house and force me to do it.
A lot of times, candidates for office, especially incumbents, seem to get drawn into their opponents' arguments, and fighting on their turf, because you want to defend yourself. That's wrong. Fight on your own turf. Make them come to you. Make them explain why they don't agree with your position. I think that a lot of times, too many liberals, progressives, lose because they're afraid to really stand up for what they believe in.
Politics is a lot like sex - if you want something, you have to ask for it, if they're not doing it right you've got to speak up and show them and if you still don't get what you want, then there is nothing wrong with doing it yourself.
I think a lot of times there is a tendency in Washington to make rules because of something that was adverse or fraud or something like that. And we make a lot of rules and end up hurting a lot of innocent people that are trying to start up their companies.
I spent most of the 90s trying to make it as a producer - which is a difficult game to get into at the best of times, let alone pre internet - and then I got married, had three boys and we moved house. I had to sell a lot of my gear, so a lot of the original set up went. I was busy being a dad and working, but still loved music.
I had the easiest publishing experience in the entire world. I sent out fifteen courier letters to agents, got five no replies, nine rejections and one I want to see it. A month later I had an agent. Another month later I had a three book deal with Little Brown.
I didn't have an agent until I got 'Hairspray.' I had to get a Broadway show without an agent to get an agent.
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