A Quote by Julie Harris

I don't understand what modern clothes are about at all. — © Julie Harris
I don't understand what modern clothes are about at all.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
Modern Indian woman is not one who speaks in English or one who wears modern clothes but she is the one who has her own values, follows tradition and education to bring about a change in the society.
It really doesn't matter to me. We're just talking about clothes. I can understand what the NBA is trying to do. I love my sneakers, but we're just talking about clothes.
I really have a generation gap about modern clothes.
If we're talking about Sinai, we can't understand it without the 1967 and 1973 wars, and you can't understand it without the biblical story of Moses leading his people through the wilderness. These are essential elements in the modern conversation about what's going on in the Middle East that seem to have been lost.
You can understand nothing about art, particularly modern art, if you do not understand that imagination is a value in itself.
I'm not into street clothes. Don't understand it. I don't understand those over-exaggerated jean sizes so they hang off your back... I just don't understand it.
I love clothes - I love shopping for clothes, I love wearing clothes, I love talking about clothes - but oddly, putting on the dress and walking around in front of people, that's the place where I'm most uncomfortable.
Fashion museums think the more you know about the significance of clothes culturally, the more interesting they are. We certainly don't neglect the aesthetic aspects of clothes. But, I feel that what sets us apart from social, economic, and even aesthetic, or art historical context is that we are not only talking about clothes as kind of art objects created by an artist designer, but also we're talking about the various meanings that clothes have in the world, and how that changes and how we kind of create meanings around clothes.
I do not experiment very much and prefer the kind of clothes that Sabyasachi designs - they are rooted in our traditions and yet are very modern. I think it has something to do with my growing-up years and the kind of clothes I saw around me.
The complaint about modern steel furniture, modern glass houses, modern red bars and modern streamlined trains and cars is that all these objets modernize, while adequate and amusing in themselves, tend to make the people who use them look dated. It is an honest criticism. The human race has done nothing much about changing its own appearance to conform to the form and texture of its appurtenances.
The student is half afraid to meet one of the great philosophers face to face. He feels himself inadequate and thinks he will not understand him. But if he only knew, the great man, just because of his greatness, is much more intelligible than his modern commentator. The simplest student will be able to understand, if not all, yet a very great deal of what Plato said; but hardly anyone can understand some modern books on Platonism.
For me, I analyze the modern girl, the girl that I'm friends with, and they're empowered: They pay their own bills. They have their own style. They wear clothes - the clothes don't wear them.
They don't think we're in touch with modern Britain, or understand modern Britain or like modern Britain.
There are a lot of historical novelists who do the research about the clothes and maybe even the eating utensils, but they're basically taking modern people and putting them in old drag - it's sort of the 'Gone With the Wind' approach.
Everyone has something unique to bring to this world. And if you understand that, if you cherish that, if you embrace who you are and then capture that with your clothes... then that is when fashion can make a powerful statement about who you are and what you are about.
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