A Quote by Julie Kagawa

When I wrote my first story, all the characters were teenagers because I think 16, 17 is a great age. — © Julie Kagawa
When I wrote my first story, all the characters were teenagers because I think 16, 17 is a great age.
When you are 16 or 17, you think you are right about everything. But when you are over 20, you realise the mistakes you made at 16 or 18. You learn with age.
I was a very lucky child because at the age of 16, 17 years old, my parents would buy me clothes from Yves Saint Laurent, which was an incredible luxury at the time, but I was attracted to that whole world. I had a pretty nice little wardrobe by the age of 17.
When I first began to have the initial idea for 'Heartsease,' I just wrote a skeleton story; that is, I started her off as this young, bright 16-year-old and then added the events that occurred and where she and other characters fitted in, even writing 3 different endings, as I was not sure where Mary's story would lead to.
I didn't 'decide' to write YA, per se. But every time I thought of a story, it featured characters 15, 16, 17.
I've written virtually as long as I've acted, it wasn't a sudden transition. I acted in my first play when I was 16 and I wrote my first play when I was 17.
When you're 16 or 17, I think like most people that age, the first time you experience certain things in life, whether it's heartbreak or death or love, obviously it's going to seem like a much bigger deal.
I think when we were making the first album, we were like 16, 17 years old, and I think just years and years of recording and playing shows - I know me, personally, I kind of figured out my style more and vocally learned a better way to sing in the studio.
Until I was 16 or 17, I had heard practically nothing about the history that preceded 1945. Only when we were 17 were we confronted with a documentary film of the opening of the Belsen camp.
When I was growing up in the '70s and '80s, by the time you were 16, you were kind of expected to be an adult. By the time we were 16 and able to drive, certainly by 17 or 18 and into college, you just had very little interaction with your parents.
I knew from the age of 16 that I wanted to be a writer because I just didn't think I could do anything else. So I read and read and wrote short stories and dreamed of escape.
Young people are forced to mature sooner now than in the '40s. I was doing things at age 14 that guys in the movie were just beginning to do at 16 and 17
Young people are forced to mature sooner now than in the '40s. I was doing things at age 14 that guys in the movie were just beginning to do at 16 and 17.
[Miss] Piggy was amazing, I was nervous because I wrote our opening. I wrote the song, wrote what we were going to do. And first I was hoping that they would approve it, because they're not playing.
There's actually a big difference between story and character. A great story doesn't make a great movie. A great script, which defines its moments and characters can become a great movie. You can make a movie that makes a lot of money and it may or may not have great story or great characters.
When I was 16, 17 years old, I became aware of music coming out of Olympia, Wash., which is the state capitol and about an hour south of Seattle. And there were bands like Bikini Kill and Bratmobile and Heavens To Betsy, and for the first time, I heard my story being explained to me, being sung to me.
'Fanboys' was the first real screenplay that I ever wrote that was an original story with my own characters.
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