A Quote by Julie Klausner

I have never been one for musicians. I know girls are supposed to go crazy for frontmen who close their eyes when they sing and nod their heads when the drums kick in, but I'm like Shania Twain with that stuff: That don't impress me much. I'll take wit and brains over the ability to carry a tune any day.
When I was a kid, I was obsessed with Shania Twain. I would always go sing the song 'Honey I'm Home.' I was, like, 12, and I'm singing about coming home from work and PMS and stuff.
My favorite singer was Shania Twain. I would love for her to sing with me. And J. Lo - they are my favorites.
Gimme the tune. Do I like this tune? Does it sound like another tune that I like? The more familiar it is, the better I like it. Hear those three notes there? Those are the three notes I can sing along with. I like those notes very, very much. Give me a beat. Not a fancy one. Give me a GOOD BEAT -- something I can dance to. It has to go boom-bap, boom-boom-BAP. If it doesn't, I will hate it very, very much. Also, I want it right away -- and then, write me some more songs like that -- over and over and over again, because I'm really into music.
When I sing a tune, the lyrics are important to me. Most of the standard lyrics I know well. And as soon as I hear an arrangement, I get ideas, kind of like blowing a horn. I guess I never sing a tune the same way twice.
I'm quite honored by it. They [people] tell me that , 'If it hadn't of been for you, I wouldn't have played drums.' Hey, don't blame me, I was just up there doing my stuff. So no, I never take it as any real pressure.
I got a washed out version of Mom’s curls and a better copy of Dad’s blue eyes, The rest of me, I guess, is up for grabs. Except maybe Gran’s nose, but she could have been trying to make me feel better. I’m no prize. Most girls go through a gawky stage, but I’m beginning to think mine will be a lifelong thing. It doesn’t bother me too much. Better to be strong than pretty and useless. I’ll take a plain girl with her head screwed on right over a cheerleader any day.
I was writing waltzes at a time when the most popular thing was Shania Twain and the very pop edge of country. I didn't really know how to do much of that.
I've had relationships with people from all over the world, but there has never been enough time in a day for me to have anything other than just close relationships. I've never been one to give myself over to anybody. I don't know what is wrong with me, but it never happened.
The words are the important thing. Don't worry about tunes. Take a tune, sing high when they sing low, sing fast when they sing slow, and you've got a new tune.
And so getting to meet Aubrey Plaza and Mae Whitman and getting to know two awesome girls who are just kick-ass. It's been nice that way where we probably wouldn't have worked together on any other crazy project. And just like you know Chris Evans teaching us all the high-five because he's dealing with like non-jocks (laughter) and we're like yeah!
I've always strived to find those records that people don't know, but they actually go "Wow, what is this?" - and they go crazy to it. To me, that's more rewarding as a DJ, and that's what I always thought a DJ was supposed to do: it's about educating people. Now there seems to be a commercial edge to stuff and people are reacting to stuff they've heard on the radio all day long: to me, that's not what youth culture should be reacting to.
Well, I was in the generation of CDs, so when I moved to L.A., I think I probably brought my Shania Twain 'Come on Over' CD and that's about it.
Musicals are hard for me because I got thrown out of the glee club in high school, because I couldn't sing in tune at the time. I can sing in tune now, but I have to work really hard on it to make sure that I don't exercise one of my great talents, which is the ability to sing in three keys at the same time.
Justin Vernon is one of the collaborators Kanye will always go to. He doesn't fit in with any genres - you never know if he's gonna sing, like, the Bee Gees or some crazy, distorted thing. And you don't know what he's saying half the time. He's kind of like Michael McDonald, like he's got marbles in his mouth.
Check this out,” Nine says. He holds up a small purple stone and then places it on the back of his hand. The stone slides into his hand—through it. Nine turns his hand over just as the stone pops out in his palm. “Pretty cool, right?” he asks me, waggling his eyebrows. “Uh, but what is it supposed to do?” Eight asks, looking up from his own Chest. “I dunno. Impress girls?” Nine looks over at me. “Did it work?” “Um . . .” I hesitate, trying not to roll my eyes too hard. “Not really. But, I’ve seen guys teleport so I’m kind of hard to impress.” “Tough crowd.
See, I don't know nothing about singing. I never wanted to be a frontman. Frontmen had big egos and was always crazy and aggravating. I just never thought that was a good idea.
This site uses cookies to ensure you get the best experience. More info...
Got it!