A Quote by Julie McNiven
As for Supernatural, I had seen many episodes and enjoyed the show before my audition.
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I've always had a show that went seven episodes or 13 episodes or whatever. And I've never had a show that's gone past a first season. It really is a lot of work.
I wasn't a 'Battlestar' fan, but I had a lot of respect for the show. I had a lot of friends who worked on the show, and I had seen a few episodes. but I was more attracted to it from afar, from the respect and awards it had received to the loyal viewership that it had. That piqued my interest a lot when the opportunity for 'Caprica' arose.
Being in the industry, I've seen many situations where someone will get the call from the network where they say 'You guys have 5 episodes to wrap it up.' Then all your long-term story arcs gotta get wrapped up in five episodes because that's how many episodes you got left. I would hate to see that happen to 'Castle'.
Another show I really enjoyed working on was 'Raising The Bar.' I did four or five episodes of that show.
Another show I really enjoyed working on was Raising The Bar. I did four or five episodes of that show.
Initially, when I'd heard of 'Teen Wolf,' I had never actually sat down to watch the series. But during my audition process, before I had a clue that I would even be considered, I started watching the show to get a feel for it and to see what type of show it was.
I had never intended to be on the show more than three years, regardless of how successful it was. I had other things I wanted to do. And I was offered a role in 'Red Sky at Morning', [1970]. I got that part because [producer] Hal Wallis had seen the HERE'S LUCY show with Ann-Margaret. It was a thrill for me, getting to do the drama and comedy. It was such a good role. So I missed several episodes of the show to shoot the movie. And I never came back but one.
I had been on another procedural show, 'Cold Case,' for seven years, and I certainly respected the legacy of 'Law & Order,' even though I had only seen a handful of episodes. Being a dad meant the reality was that I probably knew more about Dora and Diego. But I saw the show with fresh eyes, and I wasn't coming in with a bunch of baggage.
There've been times where, like when I auditioned for 'Akeelah,' I think in the first audition I was a little bit afraid because it was, you know, I had seen girls in there that I had seen on TV before, and I was like, 'Man, I might as well just walk out of here now because I'm just a newcomer,' and this and that.
I hadn't seen 'The Purge' until I was trying to do the research for it. But it was my friends and my cousins, in particular, who came to me not too long before the audition process and asked me if I had seen it. They were talking about how great it was. I was engaged in the opportunity to do the film because of their intrigue with the franchise.
Before recording my 'Homeland' audition on my iPhone in my bedroom in Streatham, I hadn't worked or had an audition in the U.K. for nine months.
To drive a car in rural America is freedom. Before I had a car, I'd never seen a rock and roll show, I'd never seen a comic or a show.
The rule was, the kids in this agency had to do 15 commercials or something before they sent them out on a theatrical audition, for a television show. And I had only done two commercials.
I had a great time working on 'The Gates,' and that was my first real experience doing supernatural television, working with the special effects and everything that goes into making a supernatural show.
I've always found that I have to audition, but that's a process that I kind of enjoy. I enjoy the challenge, and 'We're The Millers' was the same. It was a long audition process that I had to go through, but I enjoyed the challenge of that.
We do 32 episodes a season and will have shot 267 episodes by the end of the ninth season... It's impossible to sell that many episodes in the foreign market.
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