A Quote by Julie Payette

I am definitely a little more nervous for my colleagues when I'm working at mission control than I am myself on the shuttle. — © Julie Payette
I am definitely a little more nervous for my colleagues when I'm working at mission control than I am myself on the shuttle.
I am definitely a little more nervous for my colleagues when I'm working at mission control than I am myself, on the shuttle.
Maybe I am a little bit guilty of trying to convince myself that I am cool to this point - even today. But I am so much more healthy than I used to be in my twenties, because I was not accepted at all.
I am very excited about 'Raees.' But more than this, I am nervous, too. It feels like I am under pressure to show my acting skills.
I am definitely a perfectionist, and I do like things a certain way. But as I have got older, I would say that I am a little bit less of a control freak.
The primary goal I set for myself on how I define what success looks like for me is am I working at a company that matters? Am I working with somebody who I think affects positive change? Am I providing a benefit to my family? Am I enjoying myself? Why would I put a limitation on my enjoyment? There is an old view on Wall Street that says, 'They love you until they don't.' I am going to stay happy until I am not.
I'm not an ambitious person, there is no ambition in my life. I have a mission in my life. And my mission is to serve my country. And when I am working for my state, it means I am working for my country, or my nation.
The pressure is always very high. I am the client, and when I am the client, I need to fight with the photographer or with the stylists or with all the people that are on the set, because I am the only one who has a very specific vision. I always have the pressure, either from myself or from the company. I am a control freak. It's part of my culture. I know that I am still working to build a Frida moment at Gucci.
When I'm on an adult set and I'm in a scene, I am myself. I'm not acting. I am playing to the camera, definitely, but I am myself.
I am definitely not under British protection. I have to protect myself. I am not M.I.6. I am not C.I.A. I am not anything.
I am notoriously hard on myself in terms of working on new material and while I am critical of my performance on the Led Zeppelin material, I am way more critical of my own stuff. I'm pretty hard on myself.
My importance to the world is relatively small. On the other hand, my importance to myself is tremendous. I am all I have to work with, to play with, to suffer and to enjoy. It is not the eyes of others that I am wary of, but of my own. I do not intend to let myself down more than I can possibly help, and I find that the fewer illusions I have about myself or the world around me, the better company I am for myself.
I am still working on developing my voice. I am, I know, better as a coloratura singer than I was. It's a matter of strong breath control and yet making it sound as though it is the easiest thing in the world.
I tell myself it's a virtue, my failure to sleep in my own house, or at all. I tell myself that I spend more hours than most people aware that I am alive, and that over a lifetime this adds up to more living, more aliveness. I am more alive than the rest of my family. Which is my greatest night fear. Which is why I hunt. I don't ever want to be more alive than they are.
I am basically working 7 days a week. When I am not eating, sleeping, or working out, I am working on one of projects which I am just damned determined to finish.
I am a writer who is definitely working with a specific language and more than English, that language is American. And I work very much in idiom and am very interested in the play of different kinds of rhetoric, whether it is the more high-flown stuff that reeks of age. I love to juxtapose something like that with something more current or urgent. I am always interested not in America by itself, but America as an idea and how that idea has changed over time, in the eyes of the rest of the world and in the eyes of Americans.
I am happiest in public, working in my world. Then I can be the star. That I can do. When I am not working, I am more guarded, set apart. It's not my life, that. I like interactions, but interaction that is not forced.
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