A Quote by Julie Plec
When you're telling taut, tight storytelling that has any kind of built-in plot twist elements, you tend to want to stack everything up on top of itself as opposed to letting things breathe and be languid in terms of the passage of time.
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I think we're in this exciting moment of Internet streaming storytelling, and it's anybody's guess what that is or what it means. It can take on any form. That's what's so exciting about the time we're in; these filmmakers are coming in and letting the story tell itself as it wants to be told.
Horror is great storytelling with scary elements on top of it, but if you don't have great storytelling, you can have all the scares in the world, but the movie won't work.
Otherwise, my whole career has just been flinging myself at whatever is most overdue first and letting everything else stack up.
I don't think the Egyptian people want to see what is a very clear effort to obtain political and economic rights turn into any kind of new form of oppression or suppression or violence or letting loose criminal elements.
Capitalism is a system in which the central institutions of society are, in principle, under autocratic control. Thus, a corporation or an industry is, if we were to think of it in political terms, fascist, that is, it has tight control at the top and strict obedience has to be established at every level. [...] Just as I'm opposed to political fascism, I am opposed to economic fascism. I think that until the major institutions of society are under the popular control of participants and communities, it's pointless to talk about democracy.
One of the things I'm always reminded of when I'm back on stage is how much you have to be aware of and in control of. There is no tight shot. There is no 'we're only shoulders-up this time.' No, from the top of your head to your pinky toe, you're telegraphing part of the story the entire time you're up there.
Most short stories have but one plot. The very best, however, have what I call a plot-and-a-half – that is, a main plot and a small subplot that feeds in a twist or an unexpected piece of business that ads crunch and flavor to the story as a whole.
In any series of elements to be controlled, a selected small fraction, in terms of numbers of elements, always accounts for a large fraction in terms of effect.
When we have found how the nucleus of atoms is built up we shall have found the greatest secret of all — except life. We shall have found the basis of everything — of the earth we walk on, of the air we breathe, of the sunshine, of our physical body itself, of everything in the world, however great or however small — except life.
My being Indian is possibly the biggest thing that influences my stories. Not just in terms of settings - most of the settings in my stories are Indian - but also in terms of characters and plot. I think growing up in India grew my imagination in certain ways that would not have happened in any other place. I'm also fascinated by the idea of India, and writing stories allows me to explore this. As for thematic elements, they are probably pretty obvious in my stories. I also hope that my stories bust stereotypes at least to a modest extent.
Everyone was telling me you have this great potential and you can be on top. I didn't believe that, but everyone was just telling me to believe in myself. I did and I'm kind of up on top and it's amazing.
You want people to think. You want people to be emotionally moved. And there's a theory behind that in terms of storytelling. It has been around for thousands of years. And that's where something like live theater or a live performance is something that is very valuable because you get instant feedback from your audience and you kind of know the things that work and the things that don't work.
If something is crucial to the plot, then I'd better be sure I've got my facts straight. Readers of crime novels are smart and savvy, and they'll waste no time letting me know if there's a hole in my plot.
The art of the dramatist is very like the art of the architect. A plot has to be built up just as a house is built-story after story; and no edifice has any chance of standing unless it has a broad foundation and a solid frame.
All of the elements of the comic way tend to spread to others, insinuating joy where it was previously absent. Conversation has a way of leaping among persons, as it does at parties and celebratory gatherings. Storytelling always begets storytelling. It is difficult to watch others at play without wanting to join them. This is not only a human phenomenon, for researchers have consistently noted that animals at play are often imitated by other animals. So wherever it is possible to initiate a playful activity, it will have a good chance of replicating itself through other parts of the system.
There's certain elements involved in pro wrestling that aren't solely down to the performer. There's only so much I can do. I've kind of stopped beating myself up about things not working out the way I want them to every time.
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