A Quote by Julie Plec
I wanted to work in Hollywood. I was captivated by it. I read 'Premiere Magazine' and 'Movieline Magazine' and 'Us' before it was a weekly magazine.
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Obviously, The Glamazon has been covered in every wrestling magazine known to man, including WWE Magazine, however, I've always wanted to do a fitness magazine.
I wrote for a weekly magazine and then edited a literary magazine, but I did not really feel comfortable with the profession of journalism itself.
I wrote for a weekly magazine and then edited a literary magazine, but I did not really feel comfortable with the profession of journalism itself
I set up this magazine called Student when I was 16, and I didn't do it to make money - I did it because I wanted to edit a magazine. There wasn't a national magazine run by students, for students. I didn't like the way I was being taught at school. I didn't like what was going on in the world, and I wanted to put it right.
When I was a boy, I read a terrible article in a big weekly American magazine called the 'Saturday Evening Post.' In the middle of this family magazine on my parent's coffee table was an article about this family that was camping, and they were all mauled by a grizzly bear in their sleeping bags.
The key to not getting rejected if you're writing for a magazine, is to know to read that magazine and know everything about them before you ever make a submission.
The trade magazine and all was banned in my house. The first time I read a film magazine was when I was 18.
Omni is not a science magazine. It is a magazine about the future...Omni was sui generis. Although there were plenty of science magazines over the years...Omni was the first magazine to slant all its pieces toward the future. It was fun to read and gorgeous to look at.
My very first venture was a national student magazine to try to campaign against the [Vietnam] War. And so I wanted to be an editor. I wanted to bring the magazine out. And in order for the magazine to survive I had to worry about the printing and the paper manufacturing and the distribution. And, you know, I had to try to, at the end of the year, have more money coming in than going out.
You look at, like, a 'People' magazine, which used to be a really good, you know, nice magazine you could go to for real stories. It wasn't like a 'Star' or an 'US Weekly' and they have somebody with plastic surgery on the cover, Heidi Montag. And it's obviously what consumers want, because why else would they be doing it?
What made the magazine so popular was, even before I started writing the philosophy, there was a point of view in the magazine.
On a scale of the United States, the Hollywood influence on what comes out, that's not the majority views of across the country. What we read in Us Weekly or People magazine, or Entertainment Tonight, it's not what the majority of the country is thinking.
I think if we keep on doing good music and people like us and they buy the magazine because we are in the magazine then they cant basically hate us hopefully.
In the past, you'd have one magazine, it would arrive monthly, and that was your magazine. You'd devour it; you'd absorb all the knowledge in it; you'd read it over and over again.
I got an offer at 'Vogue.' And I desperately wanted to work in magazines. My interest wasn't in fashion, but when you get an offer right out of college for a magazine that big - I decided that it was probably better to start at a big name magazine, even if I wasn't necessarily fascinated with the subject.
As her parents, Aishwarya and I want our child to be happy and healthy. I was guarded from all this
(media attention and showbiz world). The trade magazine and all was banned in my house. The first
time I read a film magazine was when I was 18.
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