A Quote by Julie Plec

What's funny is, I was always certain that I couldn't be a director because there are things about the physics of camera and lighting that I fundamentally cannot wrap my head around.
It's always a combination of physics and poetry that I find inspiring. It's hard to wrap your head around things like the Hubble scope.
Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things around, play with lighting, things like that. He'll even spend hours on the set-up for an insert shot. He's an interested person who gets involved in all the aspects of the films he is making.
My films don't have instant impact because they're dense with ideas that people have not thought about. It takes a while for the American public to wrap its head around some of the things I'm saying.
Fundamentally, I always find that most of the films that I've put out are essentially the director's cut. Part of the process with a director's cut is the leaving behind of certain aspects of the movie that we don't feel necessary because they aren't part of the dynamic of the story.
I'm not as klutzy as I used to be... I've had visual therapy and all kinds of things to help, but I still wrap my purse around chair legs when I stand up to leave. I do ridiculous things on camera because I do them in my life all the time.
I don't want to die. I can't wrap my head around the concept of death because I'm totally atheist. There's nothing after life in my head, whether that's right or wrong.
It's funny how humans can wrap their mind around things and fit them into their version of reality.
I have always found it difficult to wrap my head around population policies.
This is the funny thing about Skype. No one is really looking into the camera. People always looking down because they're looking at the image. You wish the camera was there in the center.
I take bits and pieces from every director. I'd say Sylvain [White] and Nimrod [Antal]. They were more about teaching me lens sizes and depth of field and how to move the camera and lighting. I do want to direct and I didn't go to film school, so having a director that are very much hands on that way and looking to let me learn, that is a key factor.
Whenever you say you're a physicist, there's a certain fraction of people who immediately go, 'Oh, I hated physics in high school.' That's because of the terrible influence of high school physics. Because of it, most people think physics is all about inclined planes and force-vector diagrams.
There was a choice of being a director who's more familiar with the technicality of doing a movie, like learning about the camera and filters and setup, or being a director who can actually talk to actors. And I always wanted to be an actor's director.
You have to lose to win a silver medal, so that's always the tough thing to wrap your head around.
Letterman is very intimidating because he's so funny, so you have to be really prepared. Also, he's a little squeamish about certain things, so you have to always be on guard to please him.
There are certain sacred things in my life that I would never talk about. Because they are clear in my head, I can walk freely around the opposite side. I keep them completely separate in my mind.
You're never going to truly wrap your head around things that take a lifetime to study while making a movie.
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