A Quote by Julie Plec
There's something about two people coming together in the rain that is the ultimate expression of love in the minds of most audiences, I guess.
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I guess part of my ambivalence about pursuing music as well as acting is that acting is already one of the most difficult careers to create for yourself, I must be insane to embark on creating two careers in two of the most difficult fields. But I have really different ambitions with music; I just want to stay in love with music. I want it to continue to be a means of expression for me that feels like it's mine, and something that feels community-based.
What I love about what I do is expanding people's minds on the topics of gender expression, gay rights, and most of all, entertaining them while I do it.
I love the ending of a movie where two people end up together. Preferably if there's rain and an airport or running or a confession of love.
Love is mistranslated into sex, because sex is not an expression of love. Sex is an expression of physical activity. It can be an expression of love between two people in love, but it's a carnal expression.
Except for the sound of the rain, on the road, on the roofs, on the umbrella, there was absolute silence: only the dying moan of the sirens continued for a moment or two to vibrate within the ear. It seemed to Scobie later that this was the ultimate border he had reached in happiness: being in darkness, alone, with the rain falling, without love or pity.
Those two songs condense the two albums. They also show what the audiences wanted. I was desperate to keep the band together and find something that the public would like.
'Brokeback Mountain' is a sad love story about two people who can't be together, and the reason that they can't be together is because being gay is a stigmatized thing. It would be interesting to have the same movie in which the two guys weren't in the closet and there was no shame about them being gay and they couldn't be together for other reasons. I still feel like we're a long way from that happening.
Listening is a very active awareness of the coming together of at least two lives. Listening, as far as I'm concerned, is certainly a prerequisite of love. One of the most essential ways of saying 'I love you' is being a receptive listener.
At the end of the day, 'Shuffle Along' is about people coming together and making something extraordinary - and history not necessarily being kind to them. It's about the love of necessarily being kind to them. It's about the love of doing, regardless of the consequences.
We are human beings, not 'students' and 'teacher,' coming together and questioning, looking together, not having made up our minds about what we're looking at, but starting afresh.
We did two films [Kung Fu Panda], because the first two films were so embraced by the Chinese audiences we wanted to make something we could push further and since this is a co-production, it seemed like the perfect time to create something that felt native to Chinese audiences.
People are not coming into theaters to see movies. Audiences are making up their minds not to see films even before their release. It is a very sorry state of affairs.
There is something revolting about the way girls' minds often jump to marriage long before they jump to love. And most of those minds are shut to what marriage really means.
And what I liked the most about any project was that when it was good, you had a bunch of people trying to accomplish something together who were all acting together as one - that's the most exciting time for me.
I just enjoy batting. I love it. It's a craft and I love plugging away at it. I guess getting to do that in a match was the ultimate pleasure to be out there and do something I've been doing for a long time.
'A League of Their Own' had some special meaning for me, I guess - it's about women joining together and being empowered, but also about sisters sticking together even when there's drama and struggles. I'm really close to my two sisters and my brother, so I liked that about it.
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