A Quote by Julie Walters
The way I relax is I think, 'I haven't got anything coming up.' I like to know there are months ahead when I've got nothing.
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I worked on 'Who Do You Love?' for, like, six months, really trying to, like - when I got it, I got it, but I was working on it for a minute cause I never had nothing to it. I couldn't get the flow or nothing. Then I just got it.
I'd just got back from filming my role as Flo in 'Kidnap & Ransom' when I got the news that Channel 4 had re-commissioned 'Fresh Meat,' so I think it was the first Christmas I could actually relax knowing that I had three months' work sorted. As an actor, that's always a good feeling.
You've got to be success minded. You've got to feel that things are coming your way when you're out selling; otherwise, you won't be able to sell anything.
I remember that when I was in my 30s, a hot age for an actress, lots of offers were coming in, but nothing was great, and I didn't work for 18 months. It was at a really fruitful age, and I wanted to work. There was nothing coming down the pipeline that I thought was good - and then I got 'The Piano.'
I got me a fine wife and I got me old fiddle, when the suns coming up I got cakes on the griddle. And life ain't nothing, but a funny, funny riddle.
No, I don't regret doing anything, and, you know, at the time, 'Monster-in-Law' was... I was so excited to get that part. I got to be in a big movie for a few months. I got work, and everybody on it was really nice, and it was a fun experience.
The truth is, as you know, people like us look at what's happening in the world, and then we project it forward. We think, 'If I know A and B, then I've got to know that C and D are coming,' and that's kind of the way it's been with my fiction.
When I was sent the script for 'Homeland,' I didn't think anything of it. Three months later, my manager rang and said: 'They are interested in you.' I read it and I realised, 'Yes, I do want this.' Then I got an email saying I'd got it.
Speaking as somebody who's been in the drug scene, it's not something you can go on and on doing, you know. It's like drink, or anything, you've got to come to terms with it. You know, like too much food, or too much anything. You've got to get out of it. You're left with yourself all the time, whatever you do--you know, meditation, drugs or anything. But you've got to get down to your own god and your own temple in your head.
George's voice became deeper. He repeated his words rhythmically as though he had said them many times before. 'Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place. They come to a ranch an' work up a stake, and the first thing you know they're poundin' their tail on some other ranch. They ain't got nothing to look ahead to.
Godard and I got married because I got pregnant. Then I lost the child and they couldn't do anything about it. So I went to a kind of, not a crazy house, but a place where you have to relax. I hated it.
Some friends and I, we went right up there behind the studio and we got on a train, we could tell it was going to go to Roseville. We got off it and got on another train. And we got to Roseville, and it takes hours to get through that yard. It's really big. So we ended up just coming back here. It's like fishing or hunting. You can't always come back with something.
The conversation between Fletcher and Jonathan Livingston Seagull is centered on why some have achieved more than others . . . are they divine . . . ahead of their times . . . Fletcher says, Well, this kind of flying has always been here to be learned by anybody who wanted to discover it; that's got nothing to do with time. We're ahead of the fashion, maybe. Ahead of the way most gulls fly. Poor Fletch. Don't you believe what your eyes are telling you? All they show is limitations. Look with your understanding, find out what you already know, and you'll see the way to fly.
A lot of people are like, "What do you do to get pumped up for a fight?" Like, really? You're locked in a cage with someone trying to kill you in front of thousands of people. It's not too hard to get pumped up... You've got to calm everything down, you've got to remind yourself to relax.
Wes Anderson is a perfectionist, so you have to just be ready to try it this way, try it this way, try it that way, and then try it this way. And then, once you think you've got it all and it's done, then you're going to be called back in two or three months so you can try it that way and try it this way. You've got to give him all of it.
I didn't do anything but write for six months after I got my publishing deal. That was just trying to get better and figure out my sound and the way I like to do it.
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