A Quote by Julie Walters

I'm too young at 50. I'm not grown up yet. There's part of everybody like that. — © Julie Walters
I'm too young at 50. I'm not grown up yet. There's part of everybody like that.
Holden Caulfield is the embodiment of what we mean by the phrase “young adult” – too young to be a grown-up, but too wise to the world to be completely innocent. He’s caught in the in-between, and that in-between is what all young adult authors write about.
Fifty - it's going to be for the rest of my life. I'm going to count myself as a 50-year-old, sing like I'm 50, and act like I am, too. That's how I feel, and I believe if you have that frame of mind, it keeps you young.
I didn't put out this album because I wanted everybody to know I was grown up. I'm 21 and that's not grown up.
If you look at films about becoming a man, coming-of-age movies are made with 12-, 16-, 40-, 50-year-olds... For a guy to feel like he's a 100 percent grown-up is almost like giving up. Like admitting that you're on your way into the grave.
I was studying at the Royal Academy of Arts, and I was playing the role of Dr. Ivan Chebutikin in Chekov's 'Three Sisters.' I was about 50 years too young for the part.
If you look at films about becoming a man, coming-of-age movies are made with 12-, 16-, 40-, 50-year-olds... For a guy to feel like hes a 100 percent grown-up is almost like giving up. Like admitting that youre on your way into the grave.
When the Broncos or the Steelers are winning everybody wants defense. When the Rams and Saints are scoring 50 points a game, it seems everybody is looking for a young offensive mind.
My father - I have grown up with him being a respected actor, and I have taken a lot with me from home, like his way of always treating everybody the same, that everybody has equal value.
Right now, you hear about teamwork, and it's defined as 50-50, and that is a falsehood. There's no such thing as 50-50. You know, you do whatever you have to do as part of the team.
Everyone, Republican or otherwise has their own particular part to play. No part is too great or too small, no one is too old or too young to do something.
When I was thirteen, I had a nervous breakdown, and I was put into this grown-up mental hospital with all these 50-, 60-year-old men and women. This big, Victorian mental house. There were like five boys in there, all my age, looked after by this woman who was 22 or 23. And it was like "Empire of the Sun" meets "One Flew Over the Cuckoo's Nest"-type of arrangement where you've got this young boy overcoming and becoming heroic in the face of this awful place.
Everybody gets too drunk sometimes; and even if everybody didn't, I have gotten too drunk sometimes. I haven't hurt anybody. In Ireland we drink a lot. It's part of our culture. I like drinking. I don't think it's a bad thing.
I always felt like Tahliah's a very grown-up name to have. It's a pretty name when you're young, and then I think when I became a young lady, it felt kind of like a lot to grow into for some reason. I don't know. It sounds kind of regal. I never really liked it. I always felt like I couldn't live up to it.
My fans have grown up with me and seen my life change over the years, from a young girl with 'Goodies' to a full-grown woman and now mom.
To find money to make a film, you have to write maybe 50 pages to explain what you'd like to do, what the film will be, but everybody lies. Because he doesn't know what the film will be. Everybody writes 50 pages and sends it to a TV channel, a producer, to get money, but everybody lies. Or else your film is not interesting.
People say, 'Grimm, you've been shot like 50. So why don't you just rhyme like 50? Then, you could get the money like 50, Otherwise, before you see success...you'll be 50.'
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