A Quote by Julien Baker

I think what kids who like heavy music are really looking for is the honesty and candour of it. — © Julien Baker
I think what kids who like heavy music are really looking for is the honesty and candour of it.
I just like heavy music in general - from heavy rock and heavy metal and heavy rap and heavy everything. I've always been attracted to it.
I think country music is about honesty. Any art has to have honesty to start with, as the core of it. I mean, they're just going to manipulate you in one way or the other, but there has to honesty at the core of it.
I guess I have some kind of a visceral connection with drums. I'm looking to create music that people can react to viscerally, and people will respond to viscerally. I think that you can listen to music, to a song you've never heard before and not really like it, but also feel like you're responding to it physically whether you like it or not. I think that's a powerful aspect about music, and I think that's something that draws me to drums.
People often comment on the feeling and soul in my music, and I think part of that comes from the honesty and diversity of the kids I went to school with and jammed with.
When I interview people that want to work with us, I often disregard their resume, because a piece of paper, it doesn't tell me really who they are. I'm looking for honesty, vulnerability. I'm looking for strength, I'm looking for weakness. I'm looking also for someone that wants to learn and is excited about learning.
I don't really speak for anybody else's music, and I don't think I should, but I think the reason why people enjoy my music is because there's a level of honesty and transparency that people can connect and relate to.
I would say that I'm very proud that Metallica plays heavy music - but equally proud that we don't think like a heavy-metal band.
I think when music, specifically heavy music, the motivation for it is other than truly feeling it, that's when it becomes really difficult for me.
I think it's more difficult writing what it's like to be a child. You can pretend you know what it's like, but you don't really know. The only parts I can remember is that the adults were like, "Aren't they cute?" But when you're little you're looking at the other kids like they're your colleagues. They're not like, "Oh, we're all cute little kids." They're more like your office acquaintances. It's very hard to grasp the memories of what it actually was like to be a kid.
I think all those artists are artists who are appreciated because you believe their words and you appreciate their honesty in their music. If you don't appreciate the honesty in the music, the beat can be fly as hell but you'll never give an emcee props.
Part of the joy of music is listening to lots of different kinds of music and learning from it. Specifically for me, I like writing songs that move me, and what moves me are beautiful songs on the piano or the guitar and really, really heavy music.
When I was younger, I was just always looking for - you're always looking for this hot, so hot, like super-hot girl. And then, as I've gotten older, different things are really important to me, like just honesty. Being able to sit down and have a conversation.
I really think kids should understand that music is like learning the alphabet. You put small letters together to make words, and then you use these words to create a story, but with music. And they really need to know how to mix and match those letters and how to come up with something that is really interesting, or speak in metaphors as poets do to show us something maybe we didn't think about.
People like Art Blakey and Buddy Rich, you look at them playing music, and it's just like looking at a heavy metal drummer. I mean, they're playing with the same amount of ferocity. It's not to say all jazz is like that.
Actually, the original nickname that I was told - it scared me to death - was Heavy G. I think the last thing you want to be known as is Heavy anything. No offense to Heavy D - rest his soul. Worked for him, wasn't really my bag.
I think the Control has really opened up the music to a whole new audience. I've met kids recently, kids of people I know who are 14 and 17 who love Joy Division and have been a fan before the movie, which is really weird. How does that happen? I have no idea. But, the music that's out there today is heavily influenced by these bands from the 70s and 80s like Joy Division. I want them to take away a little bit of what Ian Curtis was and, at such a young age, he had so much going on.
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