A Quote by Julien Baker

I feel really privileged to have gracious and merciless people with a lot of perspective and patience in my life. — © Julien Baker
I feel really privileged to have gracious and merciless people with a lot of perspective and patience in my life.
For me, my lack of patience in real life - I have always had very little patience. It's been very much my downfall in life. But having a child puts it in perspective. Very quickly you're like, "Oh, I need to learn what patience is."
I don't have much patience as I really like to work a lot and it is really hard to work a lot in movies because you have to have patience - every movie is a huge test of patience.
We're very lucky people, doing something that we really love to do. I feel privileged to have been an actor all my life.
What is missing in a lot of urban music is perspective. You hear a lot of regurgitated perspective. It's a lot of: out at the club. Had drinks. Patrón. Big booties. It's this regurgitated idea of living in this, I don't know, one-night-stand moment that always starts at the club and Patrón. And so perspective, perspective, perspective is what I'm an advocate of.
And you know, when you've experienced grace and you feel like you've been forgiven, you're a lot more forgiving of other people. You're a lot more gracious to others.
I've been living this extraordinary life with a new enlightened perspective, to see things from a higher perspective. I feel like I'm able to see things from that higher perspective at Impact Wrestling right now where there are unlimited opportunities and room for growth and to make some work I can really be proud of.
I really enjoy my philanthropic work, traveling around the world and helping people in need. That's a lot of fun for me. It's really rewarding. You're helping people, but it's helping you, too. It puts life in perspective...
I'm somebody who doesn't feel the need to be in the driver's seat all the time. I appreciate the perspective of being in the passenger's seat sometimes, and I feel fortunate for that because I've learned a lot from that perspective.
I've been going through a lot of... stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
I really enjoy my philanthropic work, traveling around the world and helping people in need. That's a lot of fun for me. It's really rewarding. You're helping people, but it's helping you, too. It puts life in perspective when you come back and you say, 'Man, it's raining again in Minnesota.'
My perspective on life is now to try to play music that reflects that life and death are part of the same coin. And to know about life, we must really examine the function - like death. Life tells you a lot about what death is, not what people say it is.
Being a runner has brought me a lot of patience, and patience goes a long way in life.
There are a lot of smart people being really thoughtful and writing really interesting things, but that isn't what I want to do. It's never felt like what I've been called to do. And I have to risk sounding really arrogant when I say that because I've gone to Ivy League schools and been privileged in all these ways in the world of ideas, but I'm not as smart as you think. I'm not really depending on what I learned in college to write my books. Those were just parts of my life experience.
I feel very privileged that I get to spend my life telling stories that mean something to people.
I feel like a lot of people look at pop music with a very formulaic perspective in numbers and patterns, but an outsider would think that the process is very natural. It is, but there are a lot of times where people treat it like a sport - there are tricks you can pull, different combinations that make something better. I don't really think I approach it that way, but I definitely have a love for the science that is pop song writing.
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