A Quote by Julien Baker

I like it when I go to a city and it puts its personality out there to be readily experienced. — © Julien Baker
I like it when I go to a city and it puts its personality out there to be readily experienced.
To me some of the greatest writing is when somebody puts something in words that you felt and experienced and you go, that's it.
Some players out there don't really interact with the crowd - they're really serious - but I think it's part of my personality as well. I go out there, and I like to entertain. I like to put on a bit of a show.
I realized horses have personality when I bought one and I had one, who's now out to pasture, a horse named Drifter. Before that, I was a city boy. Horses, I used to go out to the LaBagh Woods and ride at a stable once every two years or something; no idea about horses. Dogs, I knew, had personalities, but not horses.
So it's rare if I go to a city and don't shop. I know different store systems in every city so I just like doing business everywhere I go.
When I was in the 9th grade, on Halloween night, when you're supposed to go and out and burn your city, my mom made me go to 'Cirque du Soleil.' I was kicking and screaming. This girl came out onstage, and I was instantly mesmerized. I dropped out of school and became obsessed with her. I saw the show, like, 70 times.
Culturally even, you have shows like 'Friends' or 'Sex in the City' that are imbibed along with like fairy stories, which are all about The One. Then we feel like we're looking for it, and if relationships end, what we've experienced isn't valid.
Sitting behind the bench at games is the hardest thing I've ever had to go through because basketball is really most of my happiness. So when I can't go out there and exert energy and have fun and things like that, it kind of puts everything else into perspective.
I look pretty nondescript. I don't go out of my way to... I don't express my personality with my clothes, with my car or my, you know, house. I express with my personality; so as far as what I wear - I don't really care about that.
At 18, I took a Greyhound bus to New York City, and then I was in city after city, so I was just dying to get to the country. Everywhere I'd go, I'd just shoot out to a national park somewhere and reconnect.
The city was asleep on its right side and shaking with violent nightmares. Long puffs of snoring came out of the chimneys. Its feet were sticking out because the clouds did not cover it altogether. There was a hole in them and the white feathers were falling out. The city had untied all its bridges like so many buttons to feel at ease. Wherever there was a lamplight the city scratched itself until it went out.
But the people who took the bus didn't experience the city as we experienced the city. The pain made the city more beautiful. The story made us different characters than we would have been if we had skipped the story and showed up at the ending an easier way.
I'd like to see Dolph Ziggler get involved in a really intense, personal feud that will bring out another side of his personality. Because the personality is there, and the wrestling is there, so I'd like someone to come along and bring out his ugly side.
This is the city of the underdog champion, so they want to see the next person out of their city blowing up and making I feel like, man, Atlanta's a big city, but it's so small.
I like to go out and see what a city's all about.
To me it is just common sense that we should be making apprenticeships readily available to every young person who wants to go down that route - and encouraging people to consider taking this path just as readily as we would encourage someone to look into a university degree.
Don't get me wrong, I think "Portlandia" is really funny, and quite brilliant, but I like to be in a city where I can hang out in Powell's Bookstore most nights and go out with my friends in a liberal, relaxed atmosphere. I wish more cities were like that.
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