A Quote by Julien Baker
I adopted this idea whether I was going to end up making music for three people in a bar or Wembley Stadium, I was always going to do music.
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My music is special to people and I'm going to keep on making this kind of music because a lot of people had a struggle like me. You got to feel my music. If you listen to it, if you give me a second, you play three, four songs, you will become a fan.
If you were going to protect Buckingham Palace, you wouldn't put a tunnel in halfway down the Mall. If you wanted to protected Wembley Stadium, you wouldn't put a tunnel halfway up Wembley Way.
I wasn't making music for the sake of music but rather making music in the context of other music. At the same time, it doesn't mean I'm not going to try and do that some day.
I was always into the music. Music, in general, saved my life. But the fame part... I would look up, see what was going on around me, the reporters and photographers and all, and then I would just go back to making my music.
I feel like I'm a trendsetter. I try to always stay on the edge of everything I do, whether it be music, fashion, film. I just like to stay abreast of what's going on. What's going on in the street and what's going on in the hood I put in my music and I feel like a lot of people follow that.
Music is something I can't stop. Whether people are going to hear it or not, I'm still going to make music.
It's so funny: whenever there's a new technology introduced, there's always this fear it's going to end entertainment as we know it. When records came around, they were going to be the end of live music. Nobody would ever want to go see live music again.
AI as a tool in music-making is fine, but it's always going to be the humanity in music that makes people want to listen to it.
As far as music, that's always going to be my first love and I've always loved doing music and I always will, but right now it's more into film, television and behind the scenes with writing and producing. I'm still going to keep releasing music for my fans.
I love '80s happy music. I love Cyndi Lauper and Madonna, and the idea of making music that's about people celebrating fun. I spent my late adolescence in New York and I used to go to a lot of gay clubs. The music there was always just about love and connection and celebrating life. I think, for people going through something really hard, to go to a place where you can let loose and listen to music as a distraction, that's about a better place, a better way of life - that's where all the attraction lies.
Music to me was never something that I could listen to while reading a book. Especially when I was studying music, if I was going to listen to music, I was going to put on the headphones or crank the stereo, and by God, I was going to sit there and just listen to music. I wasn't going to talk on the phone and multitask, which I can't do anyway.
If this were all to go away tomorrow, all the big success, I would still be very happy going from bar to bar playing music for people.
You are never going to top boxing at Wembley stadium.
I always say this about my music, and music in general: Music is like a time capsule. Each album reflects what I'm going through or what's going on in my life at that moment.
I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
There are just so many people making music out there. I've always promoted the idea that everybody needs to make music. I think the more music there is in the world, the better, but it does make it highly competitive.
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