A Quote by Julien Baker

I don't think I'll ever get that tour ennui. Just getting to visit New York and all these different places - I'm always so excited to look at the window. I look like a crazy tourist stumbling around... 'This is beautiful.'
I really love New York. I just love the aesthetics and the spirit of New York. I've just always loved the energy of it. When you're flying into New York and you look out of the window, it's like you're flying into another planet. I've never stopped being amazed at it.
Sometimes something can look beautiful just because it's different in some way from the other things around it. One red petunia in a window box will look very beautiful if all the rest of them are white, and vice-versa.
Getting a life’ is something only a complete idiot could believe. Like you can just drive to a store and get a life. See it in its shiny box and look inside the plastic window and catch a glimpse of yourself in a new life and say, ‘Wow, I look much happier — I think this is the life I need to get!’, take it to the counter, ring it up, put it on your credit card. If getting a life was that easy, we’d be one blissed-out race.
You can see the most beautiful things from the observation deck of the Empire State Building. I read somewhere that people on the street are supposed to look like ants, but that's not true. They look like little people. And the cars look like little cars. And even the buildings look little. It's like New York is a miniature replica of New York, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.
I like to run around. I'm enjoying traveling. I absorb as much as I can, and I get to go to beautiful places that I don't know if I would ever visit.
I think when I started modeling three years ago, it was just a job, and I was so excited - everything was so new, so crazy. I didn't overthink anything; I just did it and enjoyed myself along the way. But after a few seasons, you get used to it, and there's a lot you actually have to think about, and, I don't know, it just makes you much more aware of what you look like and what other people think. It's a bit of a nightmare.
Many people leave the country to see beautiful places. I just look out the window and see some of the most gorgeous scenery ever, right here in the USA.
I'd like to look like Madonna when I'm her age. I also look at athletes and love their bodies. I've always wanted to be muscly, not skinny. A lot of women yo-yo around, but I'm always aware if I'm getting a bit out of shape. I never look at the scales but I can just tell. It goes on my tum and bum.
Here is this ability to explore ideas, but with minute changes, and then look at the results. Often you get so excited about what you're doing that you think, "Oh, wow, this is just great." And you look at it a week later and you realize you'd been excited by the act of creation, but what you've created is not really exciting when you look at it in cold blood. And so that, to me, is a valuable lesson also.
In New York there is always something to look at, but it is all infinitely more interesting through a window in the backseat of a limousine.
The Gypsy Heart tour is a dream come true. Not only because of all the beautiful cities I will get to visit, but all of the beautiful people I will get to meet. Gypsy Heart is not just a tour for me, but a mission to spread love.
I feel like old age in America is a very sad thing. I have been many different places around the world where getting older is something you look forward to.
What I love about travel and shopping is seeing how different retailers in London, Paris, and New York interpret the same collection. I like to find the best store in town and take a good look because there will always be a nuance that you just can't get anywhere else.
New York City revived around the team. I don't think you can look at the recovery of New York from the 1970s without, on some level, talking about Steinbrenner. Even if you're just talking about the feel of the city, he was part of a creation of a new sense of optimism.
I tell my staff, we're riding a tour bus around, and we're going to stop and look at some weird stuff - but we're taking our viewers around safely. They're just looking out the window at it. I'm trying to create a sense of comfort for my center audience.
When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
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