A Quote by Julien Baker
There are so many people in Memphis who have real reasons to be angsty, but I was just a suburban white kid with all this misplaced rage.
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Real respects real, so if you can get Memphis to love you, you have to have something real there. Memphis doesn't just support anybody.
I'd been to Memphis before, but we stayed out of Memphis early on in the late 70s for obvious reasons. People were very sensitive about Elvis Presley, and my stage name obviously would be provocative to some people in that area at that time.
This is where our obsession with going fast and saving time leads. To road rage, air rage, shopping rage, relationship rage, office rage, vacation rage, gym rage. Thanks to speed, we live in the age of rage.
When you stay in your room and rage or sneer or shrug your shoulders, as I did for many years, the world and its problems are impossibly daunting. But when you go out and put yourself in real relation to real people, or even just real animals, there’s a very real danger that you might end up loving some of them. And who knows what might happen to you then?
When I was a kid, I was very lucky that I grew up in suburban Virginia, which, at the time, felt like a grey area between rural and suburban, so there were a lot of forests and parks.
We have a new joke on the reservation: 'What is cultural deprivation?' Answer: 'Being an upper-middle class white kid living in a split-level suburban home with a color TV.'
It's a tricky time because people are going after the wrong people, too. There's a misplaced rage and aggression, that as a person in a public position you almost feel like you have to be perfect now when you express yourself. It feels almost unfortunate.
Let's start with some of the reasons that the press holds its tongue and some of the things that you don't know because of this. We'll begin with squeamishness, prudishness, timidity and an overdeveloped fear of offending someone... So much for squeamishness and prudishness. There are many other reasons that we editors fail you in this pact you and we have. Let me name a few more: Orthodoxy, conventional thinking, a misplaced pleasure at being on the inside, incompetence and laziness.
Maybe, you just misplaced it, you know? It's been there. But you just haven't been looking in the right spot. Because lost means forever, it's gone. But misplaced... that means it's still around, somewhere. Just not where you thought.
Memphis is in a very lucky position on the map. Everything just gravitated to Memphis for years.
When I got outta High School I was driving a truck. I was just a poor boy from Memphis, Memphis.
As far as Memphis being underrated, I feel like a lot of people have slept on Memphis music when it comes to breaking through into the mainstream.
'Hurt Village' is based on a real housing project in Memphis, about three minutes away from the Lorraine Hotel where Dr. King was assassinated, so in my work I'm focusing on a very specific area in Memphis. I see 'Hurt Village' as a natural extension of 'The Mountaintop.'
We lived in the bowels of New York City. It was a struggle just to survive. This nice suburban kid hadn't had to do much of that before.
You know, I'm really busted up over this and I'm very, very sorry to those people in the audience, the blacks, the Hispanics, whites - everyone that was there that took the brunt of that anger and hate and rage and how it came through, and I'm concerned about more hate and more rage and more anger coming through, not just towards me but towards a black/white conflict.
When I was a kid, some of the guys would try to get me to hate white people for what they've been doing to Negroes, and for a while I tried real hard. But every time I got to hating them, some white guy would come along and mess the whole thing up.
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