A Quote by Julien Baker
I think people learn best and are more engaged when it's just normal relatable situations that illustrate the principles they're discussing.
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Not to get too deep, but I think one of the reasons we embrace superheroes and this world is that these are just normal people that have incredible powers that are relatable in some ways - in that we don't have great super powers, but there's strength within us that we can utilize in our lives. Ultimately, they're just normal people with problems.
I think we all spend, sometimes, more time at our jobs than we do at home, and there are people that we wouldn't necessarily choose to spend so much time with. So those irritations and those, just those situations I think are really relatable.
For me, the best journalism is usually the best storytelling, and the best stories are those of real people. Sometimes those real people are people in positions of great prominence or power or adverse situations, and sometimes it's just normal folks who help illuminate a situation, a place, a culture. And for me, that's always been the best way of telling a story.
I think we live in a world where "the normal," is just a cut that each society creates for itself, but leaves out a number of situations, thoughts, and events as part of what we catalog as normal.
Ordinary people shy away form negative situations, just as they do with failure. They do their best to avoid trouble. What great people do is the opposite. They are their best in these situations. They turn personal tragedy or misfortune - really anything, everything - to their advantage.
I think good suspense and horror is really about creating situations that are relatable, and throwing a wrench in it and watching how people respond to it.
I'm not interested in being gratuitously relatable and broadening out what I do in order to reach more people. When I'm going into specific details of the trauma, I think it's the details that connect with people. I'm accidentally relatable - I didn't mean to be, and I didn't think I would be. It feels like what I'm saying on stage is quite shameful and possibly perverted; so for other people to be laughing and go, "Oh, yes, we understand that. We are like that too," is very lovely.
Whether I'm at home and researching online or whether I'm in the studio just drawing, I think I'm more interested in practical research - discussing with other people, trying to find the exact formula of putting things on the canvas, what is the consistency of paint that works best.
People who say they have a best friend at work are seven times as likely to be engaged in what they're doing. And if they don't have a best friend at work, the odds of being engaged are just 1 in 12.
It's a very familiar type of place where people either go to their house on the lake or they get together in different places. This was a normal, relatable place that I think a lot of people have in their childhood.
Thankfully, I already have a mogul I can pattern myself after: Oprah. We're a lot alike. I'm black, I love to relate things people talk about to myself, and people think my best friend and I are lesbians! My strength is that I'm more relatable.
I would rather not be engaged. When people are engaged, they begin to think of being married soon, and I should like everything to go on for a long while just as it is.
It's harder to be funny if you're handsome than if you're very normal-looking. It's just more relatable. You're the underdog. I mean it's funny to see people struggle, and you don't buy that Brad Pitt is struggling, you know that guy could be the most skill-less guy in the world, but if you look like that you will be fine for the rest of your life.
I speak in relatable terms, without too much car lingo, so more and more people can engage with the car world. And I'm not afraid to ask questions on behalf of a whole community of people who want to learn but are afraid they'll be shut down.
I love when there's an obstacle to overcome, even for the audience to actually empathize with that character. I find that interesting, and then, how to work around that and make them relatable. That's something that you have to dig into the moments and into the performances and see how to play those situations that make them relatable.
I think to keep my principles. To keep my principles, I think, is the most important thing. Every day, everyone change. It's normal, but your principle never can change.
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