A Quote by Julien Baker

I can make a record with six-part string arrangements and the best musicians in the world and have it be not genuine. I'd rather make a genuine record that I truly stand behind and have it fall where it may.
Some musicians make and record music; other musicians play in a band... I just make and record music, and I don't feel a part of anything in any music business.
To make a genuine record, it takes more than a cool beat and some auto tune.
I have a very genuine care for individuals; I have a very genuine sense of the power of individuals to make a difference, a very genuine belief that people matter, a very genuine belief of wanting the very best for individuals.
I'm not going to say that every record I've put out was the greatest record in history, but I'd stand by even the bad ones. Don't make excuses, make hits.
I try to make music with emotion and integrity. And authenticity. You can feel when something's authentic, and you can feel when it's not: you know when someone's trying to make the club record, or trying to make the girl record, or trying to make the thug record. It's none of that. It's just my emotions.
There are genuine concerns about the status of children to be sent to Malaysia and also there are genuine concerns about the human rights record in Malaysia.
I definitely have some colleagues that I respect, and we get together from time to time. But I actually have just like genuine friends. Paul Thomas Anderson is a genuine friend. Robert Rodriguez is a genuine friend. Rick Richard Linklater is a genuine friend. Eli Roth is a genuine friend. And so is Edgar Wright.
'Cause I can make more money going in and doing my recordings and selling them through my entities that I have, rather than going to a record co. and them release a record and pay me 5 percent of what they make off it.
Cause I can make more money going in and doing my recordings and selling them through my entities that I have, rather than going to a record co. and them release a record and pay me 5 percent of what they make off it.
It's a pretty great thing to have a record that at the end of the day you're not totally sick of and you're actually proud of. We're pretty lucky, because a lot of bands come out with their first record on a label and they're forced to make decisions they might not stand behind because someone's telling them it's a good idea. We didn't have to do that. I think that's one of the things I'm most thankful for.
In my eyes, I think it's important that if you're doing something you're proud of and that is genuine and authentic, you have a responsibility to bring that to as many people as possible, just for the sheer reason that there are musicians out there who are manufacturing emotions that aren't genuine.
I could do another tour, make a record that's very similar, do similar venues. Or I could make a different record, do different venues, and grow. It's exciting to take it to new places, but it's never been my intent to be the biggest thing in the world. That's not what my drive is. I want to make what I want to make, and make a living off it.
[Wladimir] Klitschko is a different kettle of fish to Haye. He is a genuine man with an excellent team behind him and they are genuine fighting people.
What matters to me is that one identifies one's genuine obsessions, one's genuine commitments, one's genuine appetites, one pursues them seriously and far.
I have to have the reasons to make the record. There are just too many records out there, especially when it's something as audacious as a solo percussion record with solo drumming music on it. There better be a reason behind it.
There are reasons that bands and musicians make demos and outtakes - because they are not good enough to make the record. A lot of people forget that.
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