A Quote by Julien Baker

A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.
I am pansexual as I actually remember also being attracted to women as well and thinking that maybe this like, thing where I was attracted to men was just like some weird phase or if it was something I could just ignore. My mom is queer and I have a queer uncle. So, I wasn't completely, you know, shielded from queer representation.
I care more about a 15-year-old queer kid in Iowa who wants to know that there's anything out there that resembles their experience and life than the hip queer person in Brooklyn.
Is the mainstream becoming more queer? Or is it the opposite? That artists like me are mainstreaming queer music?
A lot of different people under the queer umbrella come together but Like there's something inherently queer about the heist genre, in some way. It's about just flying under the radar and procuring something furtively or, you know, that thing that is just so fun and high-stakes in the way that a lot of queer experiences are.
In order to make a change, I have to exist in a traditionally homophobic space such as hip-hop. If I were to just be this queer rapper who only spoke to queer kids... I don't think I could as effectively make a change for another young, black, queer kid growing up in Texas.
My mother went through a phase in her life where she... stopped being queer for religious reasons. I remember, my mother rebuking her sexuality... Queerness was not okay. She basically just said it wasn't okay for her... This is what, in my experience, religion can do to a queer person.
For me, I think it's important to spread Black queer joy and acknowledge Black queer excellence and the achievements that have been made by my people, specifically meaning Black queer people.
As a person who doesn't identify as straight, any love song I write is contextualized by a queer identity.
Being an Asian person on SNL,' when people are like, 'Why did it take so long?' It's sort of a question that doesn't fully understand the idea that there is no developmental experiential process for a queer Asian person to get into comedy in a way that feels inevitable.
The gay community has had a sometimes tumultuous relationship with non-queer people coming to their shows because it was tourism, like using the queer spaces as a form of comic relief or entertainment.
The stories I grew up with, whether it came to queer representation or representation of anyone that was different, it was always a story of, like, very sad, usually ended up with somebody dying, and it made the idea of being queer or different really scary, actually.
After the 'Fallon' set, I had a lot of queer people message me about how much it meant to see a queer perspective on late night TV.
It's important to tell queer stories and to show queer relationships in a very normal setting.
I'm queer - and queer, to me, is not being stuck in a binary and being kind of fluid.
All the world old is queer save thee and me, and even thou art a little queer.
For queer people, the personal is very political, just to talk about it in a public space. It's very political just to come out and take up that space and be like, 'This is my narrative. It's not an outsider narrative, and it's not a fetish narrative; it's just my story, and it's worth being told and listened to.'
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