A Quote by Juliet Aubrey

I think speaking Italian affects your whole body movement. It's so musical and animated and passionate. — © Juliet Aubrey
I think speaking Italian affects your whole body movement. It's so musical and animated and passionate.
I realised how important it is to have your body movement, your diction, tonality, dialogue delivery and to be in rhythm because everything is musical.
When movement isn't enough, you dance, or when speaking isn't enough, you sing. When it's organic, and it's earned like that in a musical, that's when it works, and then there's nothing like it because it's this thing that takes you to a whole 'nother level, you know?
I think there is no better training than being onstage because here's the thing: the theater requires you to act with your whole body. I think acting with your whole body gives you a root, and you can build from there.
I think everything you do in your life affects you creatively. Especially in music, if you do another thing musical.
I have held and hold souls to be immortal.... Speaking as a Catholic, they do not pass from body to body, but go to paradise, purgatory or hell. But I have reasoned deeply, and, speaking as a philosopher, since the soul is not found without body and yet is not body, it may be in one body or in another, and pass from body to body.
The women's movement gave me a set of tools to think about things like my body and how people react to me and the way that my dating life was going. It's a very practical movement - yes, it's about issues like how we can get more women MPs elected, but it's also about how feminism affects things like your relationship.
You can't think and play. If you think about what you're playing the playing becomes stilted. You have to just focus on the music I feel, concenctrate on the music, focus on what you're playing and let the playing come out. Once you start thinking about doing this or doing that, it's not good. What you are doing is like a language. You have a whole collection of musical ideas and thoughts that you've accumulated through your musical history plus all the musical history of the whole world and it's all in your subconscious and you draw upon it when you play
The homeland affects you directly: it affects your body; it affects the collective mind and the collective heart and the collective spirit.
I was always, and I still am to a certain extent, one of those lazy people who spends a lot of time with Italian friends and yet constantly says I don't speak Italian. Things slow down when I start speaking Italian.
I usually arrive at the first rehearsal with a vague memory of most of it. But the real work happens in rehearsal, oddly enough, because what happens is that you match the words to the movement, and once you know where you're moving, then the words that accompany that movement become not locked into your mind and your brain and your whole body.
I'm passionate about speaking out against bullying and speaking up for self-awareness with young people and body-image issues and self-esteem issues.
I love the Italian culture, it's a beautiful culture. I love the language, the Italian people, their music, their attitudes... I just love it! Sometimes, I think I'm an Italian trapped in a Spanish woman's body.
I love the Italian culture - it's a beautiful culture. I love the language, the Italian people, their music, their attitudes... I just love it! Sometimes I think I'm an Italian trapped in a Spanish woman's body.
An unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.
Trauma dissociates us from the parts of our body that are wounded, so we have to leave our whole body. It's a journey you take your whole life, that coming back in, re-landing in your body, in your self, on the Earth. I think one of the reasons it's been so easy, in a way, for us to violate both women and the Earth is this profound dissociation that exists in everyone.
I am still around too many Italian people to start speaking like a guy from London. I live in Italy for six months of the year, all the people in my restaurants are Italian and it means that when I speak, it is always with an Italian accent in my head.
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