A Quote by Juliet Marillier

I've loved fairytales, folklore and mythology since I was a small child, and I think it was inevitable that they would influence my style and my development of stories.
I think - since I was about 7 years old - that was when I was first introduced to the comics called 'Amar Chitra Katha' that are published in India. They're not about a superhero, but they encompass all the stories of India, the folklore, the mythology, everything. But most of these stories are about Indian historical figures.
To us, basing stories on christianity is the same as basing stories on Roman mythology, Native American folklore, or unsubstantiated government conspiracies.
I’ve always loved fairytales, and I’ve loved the concept of, um, some of the best parts of a lot of stories are the beginning.
I was interested in dark subject matter for sure, including folklore, fairy tales, mythology, archetypal stories of people going into the bowels of the forest.
I get a lot of inspiration from research in mythology and folklore, I find that stories people told each other thousands of years ago are still relevant now.
I get a lot of inspiration from research in mythology and folklore. I find that, you know, stories people told each other thousands of years ago are still relevant now.
My father, if anything, first and last, was a man of words. He loved stories; he didn't live for stories, exactly, but I think he lived through stories. I think, like many writers, he loved stories about things he had experienced as much as, if not more than, he loved the experiences themselves.
I have loved corsets since I was small. When I was a child, my grandmother took me to an exhibition, and they had a corset on display. I loved the flesh color, the salmon satin, the lace.
I would have loved to work with Cranko. I love stories. Even though I like a lot of style - Forsythe, Maliphant - I have this childish side that likes stories.
The kind of influence you want is a much deeper influence. It's like empowerment. Things are like this, but what if they were like that? What happens if you turn everything inside out? It's something that not just artists do. I think scientists do that, too. There's a theory: What if we pour water on it? That's also what a child does. If a child came in now, the child would ignore us, go under the table, and make a house.
I've always loved the beauty world. Ever since I was a child, I looked at magazines and wore fragrances and tried out samples and sets. I worked at Clinique in the creative department for a summer during high school. And when I graduated from university, I worked at Prescriptives. My uncle [Leonard Lauder, chairman emeritus of the Estée Lauder Companies] smartly had wanted me to go into a small brand - to figure out what part of the company I loved. I discovered I was passionate about the creative process, the product development, creating a concept around a fragrance or lipstick.
When I was a child, I loved making stories, so I thought maybe I would be a novelist.
We think that play and fairytales belong to childhood - how shortsighted that is! As though we would want at any time in our life to live without play and fairytales! We give these things other names, to be sure, and feel differently about them, but precisely this is the evidence that they are the same things, for the child too regards play as his work and fairy tales as his truth. The brevity of life ought to preserve us from a pedantic division of life into different stages - as though each brought something new.
Silent films are fairytales. All stories are more or less fairytales, and removing speech makes everything more universal. It makes specific characters stand in for everybody, so actions take on fairytale significance. And the writing has to be pared down to represent people as types, too.
I think airports are places of huge human drama. The more I see of it, the more I am convinced that Heathrow is a secret city, with its own history, folklore and mythology. But what has surprised me is the love the people who work there feel for the place. Everyone seems to think they are plugged into something majestic.
In fairytales, when the mask came off, the handsome prince still loved the girl, no matter what -and that alone would turn her into a princess.
This site uses cookies to ensure you get the best experience. More info...
Got it!