A Quote by Juliet Rylance
My first paying job was a in a production of Neil LaBute's 'Bash: Latter Day Plays' at the Union Street theater in Borough. I played the 'Medea Redux' character. That was my first job out of drama school. I can't remember how much I got paid. I'm sure it was pennies.
Related Quotes
My first paid role was my first job out of drama school, which was 'Just William.' It was a BBC TV show. I played Ethel.
My first paid role was my first job out of drama school, which was Just William. It was a BBC TV show. I played Ethel.
My first paid job was delivering newspapers. The first paid acting job I got was dressing up as Edam cheese and handing out leaflets on London's Oxford Street. I got pushed over by these little herberts and given a good shoe-in.
When I was about 16, I did a Neil LaBute play called 'A Gaggle of Saints' from a collection of plays called 'Bash' - very violent story about a young Mormon who goes to Central Park with his friend and beats up a gay guy. But it was the first thing I had ever done, and I thought, "God, this is fun! This is far more fun than anything else I've been doing at school. I want to stick with it."
I remember having to hit a mark and having no idea how to do it, real childlike stuff, because Carnegie Mellon didn't do an extensive job preparing us for film and television. It was very much a theater program. That was my first job. It was cool. I was glad it was.
For me, it's all I've wanted to do. I did local plays and productions, local theater groups and anything that involved it. And then, I went and studied it, attended drama school and got my first lucky break in the theater in London, and just went from there.
I remember the first day of school my first year in the classroom. My stomach churned with a mixture of excitement and anxiety. Could I do the job? Could I connect with the kids? Will there be the chemistry to build relationships and get the job done, or will I totally flop?
To stay around any place you love, you have to have a job. In college at Georgetown in the fifties, I got my first theater job checking coats at the National, which was Washington's main theater.
David Hayman gave me my Equity card and my first job out of drama school - the first person I really looked up to professionally.
'McLeod's Daughters' was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera.
McLeod's Daughters' was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera.
I got the first job and kept going. Once I got a job, I very much wanted to keep getting jobs, basically. I did try to learn what I could in those first couple of decades.
I got my first professional job at Harvard, at the Loeb Drama Center, and I remember sitting on campus one day under a tree - I was doing 'Threepenny Opera.' I was reading a book, and the light caught me, and I thought, 'I want to be in the movies.'
One of the first plays I ever did was at the Royal Court Theatre in London; it was the first play I got after drama school.
My first job out of school was the 'Adventure Time' pilot. I was lucky enough to have my first lead on a job at a company called Frederator. They were accepting pitches for a shorts program.
It felt like the first thing, but when I first started out, I got a job adapting a book by Russell Banks called 'Rule Of The Bone.' I didn't do a very good job. I didn't really know what I was doing in general, let alone how to adapt a book.
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