A Quote by Juliet Rylance
I think I was about seven when people started telling my parents I would be an actor or a performer of some kind.
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I think, with my cartoons, the parent-like figures are kind of my own archeypes of parents, and they're taken a little bit from my parents and other people's parents, and parents I have read about, and parents I dreamed about, and parents that I made up.
I started playing drums at about seven or eight. My mom used to let me play with the pots and pans, and instead of telling me to stop like most moms would, she just let me do it. So the noise kind of turned into music. From that point on, musically, that's what I want to do: start creating beats.
I never wanted to be an actor. My dad was an actor, and he never brought joy home, so I didn't view it as something that I would want to do. But I got fired as a secretary, and then I started studying, I started doing it just to earn money. And it took me a long time to learn to love it. And what I loved was telling a story. I tried to avoid making plays or films that weren't telling a story that I felt was important. I discovered in the process that it makes you more empathic because you have to enter someone else's reality and learn to see through many other people's eyes.
My parents never pushed me towards music. I feel like, growing up in a musical household and always being surrounded by it, I was always kind of a performer child. I remember my parents would have guests over, and they would bring their kids, and I would make sure that we were ready to put a show on.
Some people are good at performing in front of people like that, but I'm uncomfortable at it. I think maybe that's the difference between acting and being a performer. I don't think I'm a natural performer.
I have thought about some kind of musical involving my music. That would be kind of interesting. I have thought of it in that way, as a creator of something, not so much a performer. So that's in my head.
I've always been making stuff. I had a very free upbringing, and very encouraging parents. I just found that it was a really cool thing, to write songs. And then, I think it was probably about when I was about 19 years old, people started telling me I should try to do this, get the music out.
I was kind of a volatile personality, very intense. Because of that, I drew some criticism and people would say things about me, and my parents had tried to defend me. I would just tell them don't worry about it. Our day will come.
I didn't want to admit that I was a performer. A performer meant spotlights - a performer had connotations of theater. I would have preferred agent to performer.
I started in comedy when I first started as an actor on stage and doing improvisational theater and stuff like that. So a lot of people who know me know that sort of side of me. But I got the roles that I got as an young actor kind of steered me in a different direction, which were, at times, darker characters. And so comedy was not something that came easy for people to think of my in those terms.
If my son was an actor I would tell him, "Don't let people know as much about you as I let people know about me." Because I think professionally, it's an easier road. That would be something I would tell a young actor. But it's cool.
As an actor, there's nothing worse than the sound of 'seven years'. I'm sure to some people it sounds amazing, but to us, it's, like, seven years of playing the same person.
If I started something, I had to finish. Like with violin. I started when I was seven only because my best mate wanted to. I hated it and wanted to quit, but Dad made me continue, and I got to grade seven. My parents said I had to know the value of stuff and work for stuff.
I think I was 10 when I did my first community play, and then I started booking bigger roles in these plays, and people were telling me and my parents that I was talented. And I was like, 'Well, this is something I wanna do.'
Initially, I didn't have much knowledge about cinema. But once I started doing good films, precisely after 'Kaaka Muttai,' people started respecting me as a performer.
When I was 16, my friends and I were all starting to think about what we were going to do with our lives, and I started picturing myself majoring in dance at college traveling around with a contemporary dance company, and it didn't excite me as I thought it would all those years. I was just thinking about the things that I loved most about dance, which was entertaining and telling a story, and that's when I kind of opened my eyes again to acting.
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