A Quote by Juliet Rylance
Watching my stepfather and mother working in the industry - acting and composing - and seeing firsthand how difficult it is to achieve a successful career in the theater, I thought it might be safer to go to art school with the aim of becoming a painter.
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For me becoming a painter was an Everest, in terms of what I thought a painter was. There are many roads to becoming an artist. For me it wasn't art school. I didn't have that go to art school and then get a gallery. It's more like, how deep is your inner library to cull from. It's certainly not about technical prowess, just about depth of investigation. It takes time. I had 15 years of painting under my belt before my first New York show. I was glad to have that. It's a good thing to spend your twenties getting your craft.
I went to theater school in France, and when I finished I thought I would never go back to acting again. I don't want to be acting in theater. It's not for me. I'm sick of all this theater world, all these actors, and all that.
Politics is terrifying, very masculine, and not particularly encouraging to young blonde women - as a career, that is - and it was only when I was working in parliament that I thought to myself, 'Well, this is a tough industry; can an acting career be any more intimidating?' and I applied to drama school.
I stand here as the mother of three children, who knows firsthand how difficult it can be to combine family and a career.
I was undeclared. I was in my third year of school. They said you have to decide upon a major, and my father was an actor. My mother was an actress. So, I thought theater might be the way to go.
Instead of becoming a great shikari, as my mother and stepfather might have wished, I had become an incurable bookworm and was to remain one for the rest of my life.
My mother was a classical pianist and my stepfather was an industrialist who was passionate about composing contemporary music.
The secret of a successful art career is to make more art that folks think they need than pieces they just want. When a piece of art emotionally connects with a person the work becomes a need. You are then on your way to becoming successful.
I went to an arts high school and was surrounded by drama students who dreamed of working in the industry. I almost feel a sense of guilt, because I didn't go to acting school.
I was going to be a High School teacher. I was studying at the University of Alberta in Edmonton, up in Canada. I was also acting in a wonderfully supportive theatre community in Edmonton. There's a lot of support for theatre there. So, I was having a great time, but I didn't consider acting as a serious career initially, because even the most successful actors that I know in Edmonton are not super successful. Acting over there is just not a success-oriented career.
I went to theater school, and if I spent time with one school of thought in this whole acting game, it's the Meisner approach of improvise-based acting. This does not mean that you improvise your acting, but that you focus on the other person.
When I was in high school, I had already kind of been working in the industry and had done a couple of acting jobs. There were definitely some girls that were either jealous or thought I was a snob. I was just trying to be a teenage girl and go to high school and have fun like everybody else!
I thought, oh, I'm going to be a painter. And eventually my family had moved near Chicago, and when I graduated from high school, I went to the Chicago Art Institute, and it was there that I thought, well, now I'm going to be a painter.
It's difficult to be a mother and maintain a career as a performer - but then it's difficult in any industry.
College was pivotal for me. It broadened my horizons, taught me to think and question, and introduced me to many things - such as art and classical music - that had not previously been part of my life. I went to college thinking that I might teach history in high school or that I might seek a career in the retail industry, probably working for a department store, something I had done during the holidays while in high school. I came out of college with plans to do something that had never crossed my mind four years earlier.
Being a classical musician, you can go to school for it; you can go get a degree. Even as a composer, there is a certain career path you can follow, but becoming a rock musician is a much more elusive career. How do you learn that or do that?
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