A Quote by Juliet Stevenson

I often wrangle with myself as an actor, and wrestle with the process. In striving for authenticity I often have the feeling I am falling short. — © Juliet Stevenson
I often wrangle with myself as an actor, and wrestle with the process. In striving for authenticity I often have the feeling I am falling short.
How often do you see young actors playing scholars? Or striving to be intellectuals, you know? It's not that often.
Winning to often is as disastrous as losing too often. Both get the same results, the falling off of the public's enthusiasm.
I often find myself listening to the 'Shipping Forecast' on Radio 4. At first, I am usually wondering what time it is, but then, because often I'm on the other side of the bed and I can't be bothered to turn it off, I just listen and it becomes very relaxing.
All too often too often we try to push, pull, outline and control our ideas instead of letting them grow organically. The creative process is a process of surrender, not control.Mystery is at the heart of creativity. That, and surprise.
If there's ever going to be a challenge for an actor, it's that character who's often evolving - which is not often the case in television.
When I'm trusting and being myself as fully as possible, everything in my life reflects this by falling into place easily, often miraculously.
A text conversation is a short exchange of often grossly truncated language that corresponds to a thought made all the more shallow by the process.
Screenwriting involves an often un-personal process. Co-writers, directors, producers, everyone has a say in what you put on a page, and stories are constantly changing according to budget, actors, and commercial needs. Films are a collaborative process and are also inherently narrative and structured, so you are always working within very tight parameters. Short fiction unleashes a more intimate voice and a passion for language. I believe short narratives can have the same amount of danger and drama as any action film.
I find too often in the wrestling business, you just wrestle, get to the hotel, make your money. Sometimes I have to stop and remind myself to enjoy my life and not just rush through.
Much of the day I have busied myself making notes on the small parts in Shakespeare, often nameless, which are rewarding to the actor if only he'll not dismiss them as beneath his dignity. If I can work it up into a talk I might call it, 'Only a cough and a spit ' -the phrase so often used by actors to explain away a lack of opportunity.
I like hearing myself talk. It is one of my greatest pleasures. I often have long conversations all by myself. Sometimes I am so clever I don't understand a single word of what I am saying.
All around me, I see girls forced to become rat racers in the College Application Industrial Complex, the subculture where students must craft themselves into the perfect specimens for college admission and often lose their authenticity, love of learning, and sense of self in the process.
Growing up in this post-apartheid era, the first generation of teens in South Africa living in this new democracy, I often found myself feeling different. I was often the only person of color in an otherwise all-white school. And within the Indian community, because of my training with an English acting teacher, my accent was very different.
Through American history, we have had populist movements that often, often, often have this ugly racial element. But, often, there are warning signs of some deeper social and economic problem.
There's really no way to be perfect. Perfectionism is a silly trait to have, so in a lot of ways that inspired the world of 'Divergent,' in which everyone is striving toward that ideal and falling short of it.
When I am in the Scottish Parliament chamber, I often feel the need to sit for the entire debate. It's only courteous to listen to what everyone has to say, although I often find myself desperate to say something but too scared to stand up in case I regret it.
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