A Quote by Juliette Binoche
A director could be 20 years old and an actor 60, or vice versa; it doesn't matter. It's about connecting sensibility and energy together, and having a vision that goes together and anchors the film as you go along.
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There always comes a moment where all the departments in a film need to work together. And if a director, his first assistant director, and cinematographer have a very clear vision, then everybody does work together.
One of the problems in America is that everybody focuses on their own narrow little bit of the problem without connecting punishment and prevention together, without connecting the schools and the police together, without connecting the pediatricians and the social workers together.
The director is as good as the actor and vice versa.
My ex-husband and I, even though we're not together, we are 100 percent together in raising our kid. We communicate a lot and where I drop the ball and need him to pick it up or vice versa, he's there.
Back during the most dramatic and challenging time in our history, when we first came together with wolves, we had no idea that it was changing everything, but we literally evolved together. Without us there would be no dogs, and vice versa.
The Western press has always insisted that India was Pakistan's enemy and vice versa, that the Hindus were against the Muslims and vice versa. They've never said, for instance, that my party has been fighting this attitude ever since we have maintained that religious hostilities are wrong and absurd, that minorities cannot be eliminated from a country, that people of different religions must live together.
Everyone has to die. I'm not particularly scared about it. What really frightens me is that if I go before my wife, I will leave her alone, and vice versa. The ideal would be to die together.
The world doesn't grieve when you're grieving. The world goes on about its business. You're having a good day and I'm having a bad one and vice versa. And they could be very good and very bad at the same time. You multiply that by seven billion and you have one element of human experience.
Love and ego cannot go together. Knowledge and ego go together perfectly well, but love and ego cannot go together, not at all. They cannot keep company. They are like darkness and light: if light is there darkness cannot be. Darkness can only be if light is not there. If love is not there the ego can be; if love is there the ego cannot be. And vice versa, if ego is dropped, love arrives from all the directions. It simply starts pouring in you from everywhere.
The thing about having a very young mother who had you at 20 is that you expect that you're going to be old ladies together.
Having a good director is very important. It's crucial. When you do good work with a certain director, you want to work with them again, and hopefully vice versa.
The thing with me is, about that - about rock and all that - years and years of crate-digging, listening to old music, you kind of start to connect the dots. And I was seeing the thread that was connecting everything together, which is pretty much the blues. And everything soul or funk kind of starts with that.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
Film is such a director's medium; you're really in their hands in terms of the real storytelling. As an actor, you can give a performance moment to moment and some of your takes will be used and some of them won't. I think there are great films you can make with bad performances, and vice versa. There are all combinations of those things. It's really down to the director what happens, I think, so that's why it's really good to work with very talented, bold directors.
You have to have an open mind about what you're getting into when you cast your lot with another human being - whether you're signing a lease together, buying a house together, walking down the aisle together, or having kids together.
Every time a film comes together, usually the studio executives come up for a day to the set. If you're out of town, they'll fly in or wherever you are - the cast, the director, the producers - all get together and have a big dinner and celebrate the fact that we're about to start shooting.
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