A Quote by Juliette Binoche

People think actors have such glamorous lives, but the truth is actors go where nobody wants to go. — © Juliette Binoche
People think actors have such glamorous lives, but the truth is actors go where nobody wants to go.
Good actors go to emotional places where nobody else wants to go.
As actors you're always afraid to go too far but Lasse Hallstrom wants you to go too far. He wants you to do it wrong, to be over-the-top, and that's so freeing to be able to think 'Now I can try and be bad'. There's no pressure on you and you don't feel you can make a mistake.
I think a lot of actors, sometimes what happens I think is that actors finish a movie and they go, 'Oh my god, I'm never going to work again,' even big huge actors, and so they'll take something thinking that something else will never come along.
Unlike most actors, I did not have a horrible childhood. Most actors have had miserable childhoods and they go into acting to hide from their real life. I had no problem playing in the woods all day. People just sort of left me alone. I think I'm gonna go back to those woods.
Even great actors who transform who they are still go to a really honest place; I think that's sort of that special skill that actors have.
I've found a lot of the thinking in America is that a lot of people become actors to become famous. At least from my experience, I have a dozen or so British friends who are actors, and if you look at their body of work, and they'll go do theatre, and they'll go do this and this. They work, and they're always honing and trying to be better.
Actors can't retire. If actors retired, there would be nobody left to play old, wrinkly people. You have to keep going, darling - don't you?
People imagine that actors are being offered everything and you are not. So things come in and sometimes there are things that I want and can't get a meeting on, or go to a different actors.
As a director, you have to know what actors are doing. You're the one telling them what to do. The actors' job is to come prepared to the set, but sometimes, if they're beginning actors or people who are non-actors, you have to teach them how to act.
A good director creates a playground for actors, and lets them go. The trick for a good director is in casting properly, and creating the playroom, and then they'll get stuff that they don't expect, and can't even direct. All the audience wants to believe is that whatever is happening, it is happening for the first time. They want to see the people within the work exchanging dialogue and action in that moment. There are not a lot of actors that can do that.
I think it's worse for actors, though, because people have to choose you. As a director, I get to choose the actors, but most of the time, actors have to be chosen in order to work.
There's not a lot of talking between actors - either between actors or between actors and directors. People think that they sit in rooms and talk about psychology and motivations. I don't think that happens much.
I always think that the deal, once I do the script, sort of the experience I go through writing, which is everything you can imagine, but I always think it's the one thing I can do when I'm directing is say is that it's all about the actors, that I can say, 'We're all here to serve the actors.'
Actors don't generally go asking other actors for advice too much, but I'll take suggestions wherever I can.
I think it just seems like something that somebody else does, like they raise actors somewhere in Ohio, and once in a while, people go and pick their actors and move to Hollywood. It seemed like such a distant idea. But then, as I started growing up, I'm like, 'Oh, this is an occupation.'
I hear about actors being exterior actors and actors being instinctual actors and I always think it's crap. Anybody who knows anything about it knows that good actors do both - they do inside-outward and they do outside-inward. You can't not do both.
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