A Quote by Juliette Binoche
Choosing to be in the theatre was a way to put my roots down somewhere with other people. It was a way to choose a new family.
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The way of Jesus is radically different. It is the way not of upward mobility but of downward mobility. It is going to the bottom, staying behind the sets and choosing the last place! Why is the way of Jesus worth choosing? Because it is the way to the Kingdom, the way Jesus took, and the way that brings everlasting life.
The theatre training is second to none in Ireland and England. You meet people who haven't had theatre training - it is harder for people who worked in TV to go into theatre than the other way around.
We can choose the way of compassion, the way of forgiveness, the way of generosity. Or we can choose other paths and those have very real consequences in the world. This is absolutely crucial.
People admire a screen actor if they have theatre skills, but it's looked down upon by the industry as being not a 'real job,' in the way it isn't in New York or the U.K.
Choose the way of life. Choose the way of love. Choose the way of caring. Choose the way of goodness. It's up to you. It's your choice.
Picking roles, my way of choosing them is vastly different now than it was a long time ago, but I can only be that way now because of what I've learned from the past. So I'm choosing now not to choose any work, because when you've had such a nice ride, unexpected rides and fulfilling rides, you really don't want to take a step backwards. It's really made me satisfied in a way that I wasn't looking for, but I was blessed with it and now I feel really full, in a good way, where I don't need to rush out and go find something.
We walk, and our religion is shown even to the dullest and most insensitive person in how we walk. Or to put it more accurately, living in this world means choosing, choosing to walk, and the way we choose to walk is infallibly and perfectly expressed in the walk itself. Nothing can disguise it. The walk of an ordinary man and of an enlightened man are as different as that of a snake and a giraffe.
The wealthy class often looks down on the poor as "those people." And deprived people view the rich as cold and heartless. The way to break down the barrier between the rich and poor is to asociate with each other and to help one another. Make a connection. If you can break down the barrier, it may pave the way to recovery for some person, a family, maybe an entire community.
I do feel like young people feel pressured to be extraordinary in a new way. Of course everybody is extraordinary in their own special way... but not everybody has been an activist, or volunteered somewhere incredible, or has perfect scores. So it's a lot of pressure to put on young people.
I want to bring theatre to a new generation, using the tools available to us, including taking it out to them on film and with new technology, but that is just so they can discover theatre. I want them to come in and sit in a theatre. This is the way to plant seeds.
We don't want the Taliban to put down roots, or the al Qaeda to put down roots in Afghanistan that can facilitate Afghanistan becoming - once again - a launching pad for international terrorism.
...a human being not only can choose but... he must choose... for in this way God retains His honor while at the same time has a fatherly concern for humankind. Though God has lowered Himself to being that which can be chosen, yet each person must on his part choose. God is not mocked. Therefore the matter stands thus: If a person avoids choosing, this is the same as the presumption of choosing the world.
We dont want the Taliban to put down roots, or the al Qaeda to put down roots in Afghanistan that can facilitate Afghanistan becoming - once again - a launching pad for international terrorism.
The expression that friends are the family you choose, is so powerful, because most people are close with their families, and when you add people into that level of trust, love, and loyalty, it's a really meaningful thing. The fact you're actively choosing each other is so beautiful at its core.
As my passion is theatre when I do a film I'm taking time out from my theatre career. So, I'm desperate to get back into the theatre. So, I have to make sure that I put my foot down, especially with the agents and stuff, and say: "Hey no, I'm doing some theatre!" It is hard but it matters so much to me that it's just something that's going to be necessary and people will have to deal with it.
I mean, when I got to Brown, the place was riven, because you had older professors who were basically new critics and had been teaching a certain way for 30 years. And then you had this other gang who was down with the semiotic program. And as a student, you were, in a way, forced to choose which cohort you were going with.
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