A Quote by Juliette Binoche
I like intensity. If it's too mellow, I feel like, bleah. I like intensity, because it's way of reaching spaces inside of you, and it's my need of knowledge, of knowing about myself regardless.
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The world’s a better place since I chose music. I like the physical aspect of it, the volume and the intensity of it. It’s loud and hard. I like all that because inside me I feel like screaming.
I like the Klopp mentality but at the same time, I like the Pep culture about football because always we need intensity with and without the ball.
I don't know why one author writes westerns while another writes detective novels. You don't know why. You go where the intensity is. I feel most comfortable writing about monsters. It's possible that I feel like a monster myself. Or maybe it's because we all have a monster inside of us, a vampire, a ghost, a witch or a werewolf. You do it because it works and it feels really right and authentic.
I don't see myself coaching because the intensity of that is massive, and the intensity as a manager, for example Arsene Wenger, is even more.
I am a quiet man. I tend to think things through and try not to say too much. But here I am, saying perhaps too much. But there are these feelings inside me which need badly to escape, I guess. And this makes me feel relieved because one of my big concerns these past few years is that I've been losing my ability to feel things with the same intensity- the way I felt when I was younger. It's scary- to feel your emotions floating away and just not caring. I guess what's really scary is not caring about the loss.
I feel like I'm totally me, and I feel like the show reflects my intensity, my vibe, and my search for evidence and answers.
Poetry is the language of intensity. Because we are going to die, an expression of intensity is justified.
I'm inspired by the fragrance because it is feminine and elegant but not too sophisticated. There's something very simple at the bottom of it but it remains mysterious, it's got different facets. Just like the roles that I love to play, it conveys differing degrees of intensity, lightness and depth... I like to be spontaneous and this fragrance is very spontaneous too.
My eyes are so big that, weirdly, I feel like an alien if my eyelashes don't match their intensity. I like to curl my lashes to the point where they're sticking straight up and then put on a ton of mascara!
It definitely feels like I'm sort of reaching people through social media in the right kind of way. I feel like I've been late to the game with the whole Facebook/Twitter thing, because I always thought it was cheap. But, when I started really using it and trying to be myself when using it, which is the hardest thing. I feel like a lot of people are really responding to that.
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Obviously, I can always get better on defense, improve intensity, my willingness to be locked in and stay in a stance, all that stuff is great, but I feel like playmaking, for myself, not only to create shots for myself but to create shots for others, benefits everybody.
It's this weird thing that I always feel like I have to gauge in myself, like, "Don't come on too strong because you won't get your way."
It's great, it's a creative process! It's something that I've been hungry for and I feel like I'm getting fed every day! We've got Adam and Joe in the room, and it's intense but it's a good intensity, you know? It's kind of like an actor's dream.
A novel is like a long relationship and a short story is a brief one that lingers - it lingers powerfully and maybe more powerfully. I think that's true in a lot of cases, most long-term relationships compared to some of the briefer ones - the intensity of those brief ones that end, I think a short story is kind of like that. There's a certain level of intensity that I think is different.
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