A Quote by Juliette Lewis
I like people like Tina Turner, Chrissie Hynde, Debbie Harry, and Stevie Nicks; you only hear that person in their voice, they sound like nobody else.
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But then as I got older, I got to know all these amazing artists like Alanis Morissette, Stevie Nicks, Debbie Harry, all these women who are really the creators behind who they are.
I'm a little Jewish girl from Long Island, but when I listened to Tina Turner, I pictured myself in a mini-dress, dancing like Tina Turner. It's inevitable.
I love Tina Turner. I'm one of Tina Turner's biggest fans. Tina Turner was a big influence on me to become a singer. A role model and in a way she gave me back my confidence in choosing my material.
I have endless admiration for people like Chrissie Hynde who've been out as the only girl in a band. I'm not sure that, even as a little Marine Corps brat, I would've been able to deal with that.
Chrissie Hynde's from Ohio, and so am I. If there's a Cleveland sound, that's what it is.
If I'm on form and I'm not being bothered too much by mental problems or whatever, I can whip out something good. That's why I've done quite a few overdubs for Tina Turner and things like that, because even before she made this comeback I said yes to her, just because I love Tina Turner.
I'm a piano player. I never thought of myself as a singer, at all. I was always trying to sound like somebody else. I don't like my own voice, I like Ray Charles, Robert Plant, I like Joe Cocker, Rod Stewart, people that have an edge in their voice.
You see people you identify with, and you take pieces of people you like and shape who you are. Like, I sound just like my dad. But that's literally my vocal chords. I can't sound like anything else... I sound like him, but I act like myself.
Listen to 'Dream.' It's just me all the way. It's like raw. It's gutter. It's real. It's authentic. It ain't like nobody else. Don't sound like nobody else, no nothing.
I feel like I was the only person who was capable of making this type of music in this type of way. I don't rap like nobody, I don't try to sound like nobody.
The idea of travelling all over the world singing the same songs sounds like hell. How people like Tina Turner still do it with enthusiasm is beyond me.
I've been fascinated with Stevie Nicks for a long, long time. I've written 'Stevie Nicks' inside everything I've made for the past 20 years.
I literally would go to see Tina Turner any opportunity I had because being in the presence of Tina Turner was like being in the presence of transformative energy, and feminist transformative energy. I remember thinking to myself, whatever this is, it's revolution. Whatever this is, it's change embodied in a woman.
That's where my influences lie, in the blues with people like Muddy Waters and Tina Turner. At first I didn't really like the idea of working with synthesizers but now I think they're fun, there are no restrictions. Not that I understand how they work.
I'm pretty obsessed with Stevie Nicks from her style to her voice. I like watching her on YouTube and her old performances, the way she moves and everything.
When Chrissie Hynde was inducted into the Hall of Fame, I, of course, was there to see that because I have to back up the girl. When it was over, I said we needed to have a party for Chrissie in my hotel suite. I didn't really know her, but it was great.
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