A Quote by Juliette Lewis
Sometimes I can be on a cloud and then two hours later feel really small.
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When I'm in meetings until 5am and then have to get up two hours later for filming, sometimes I ask myself 'why?'
Our lives are made in these small hours, these little wonders, these twists & turns of fate. Time falls away, but these small hours, these small hours still remain. All of my regret, will wash away somehow. But i can not forget, the way i feel right now.
The two hours onstage is great. But I can only play a show and then take a night off. I have to sing for two hours, and then I've gotta rest it for a night. So it's the other 46 hours that are just boring as heck.
Sometimes when you get hammered till the small hours you feel pretty good in the morning, but really it's just because you're still a bit drunk. That old hangover is just toying with you, working out when to bite.
Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work.
I grew up in the Midwest and never really felt at home there, and when I got to New York, I was really fearless. I feel like I really fell in love with the the place. But then, it's a place where your world is really big at first and then becomes really small. I found myself hardly leaving my neighborhood, like I made it into a small town.
People only see two hours of a tennis match where you're fighting and running and sometimes getting upset. There's a lot more than those two hours. Going out there and playing is actually the easy part.
I'm such a contradiction: I eat really healthy, I go to the gym, but then I smoke two or three cigarettes a day, and I smoke other things as well. Overall, I feel really healthy. But sometimes I feel like I'm more sensitive to little things.
I'm not one of those who spring up yelling, "Yippee! Another day!" I'll grumble and sulk around a couple of hours, reading newspapers and trying to pick out an idea I might do something with on the show. But I don't really start functioning until noon or later; then about two I go to the studio and the pace begins to quicken.
Sometimes I feel like doing smaller budget stuff. When I did 'Young Adam', for instance, I'd come out of 'Black Hawk Down' and 'The Island', and I really wanted to be on a small film set. I wanted to be on something intimate and small again, and then 'Young Adam' cropped up in a pile of scripts I was sent.
Sometimes things just aren't of their time, and they take a minute to catch on, or they find an audience later. Sometimes bizarre little films are the ones that everyone remembers later. With most big major blockbusters, people will have already forgotten about it two weeks after it came out.
Sometimes recruiters and scouts are missing on players. Going after the guys who are really hyped, five-star players and guys that are playing in grassroots and are seen all the time. Then there are the players that developed internally. They go to small schools and they continue to work on their games and they blow up later.
I know I'm small. But I don't feel small sometimes. I feel like a giant sometimes.
If I work on music, it'll be for 10 hours a day, so sometimes I'll feel stressed, and I'll go for a two-hour walk. That sorts me out.
The show originally started out as a ten hour mini-series. We shot two hours and then were excused for a while, for no apparent reason. Things went very quiet for a time and then a few months later we were called back and told that it was going to be a full season.
When you wear the costumes in a period drama, you already feel like a different person - the clothes make you stand differently, change your posture, the way you walk. You really have to have stamina - you have two hours in hair and makeup, and then another hour to remove all that.
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