A Quote by Juliette Lewis

I think in my late 20s, I was starting to enter that realm of complacency, which is the most terrifying place I can imagine as an artist. I felt time creeping up on me.
If you had asked me, did I have everything nailed down and wired about what I wanted to do, and was I following some real plan? No. In fact, by the time I was in my mid-20s or even late-20s, and I was still in the law firm, I really was starting to get a little nervous that I didn't know what I was going to do.
Most men are like me. They cannot live in a universe where the most bizarre thought can in one second enter into the realm of reality--where, most often, it does enter, like a knife in a heart.
I'm in my late 20s, and people are coming around to it again. I think they're realizing how much this stuff affects them. I think all the time about how much Judy Blume affected me, or Beverly Cleary. And I think that now some people are starting to come around and get more of an appreciation for [my stuff].
When I used to work in television, a tip was rather than looking down the barrel of the camera and imagine people watching, which is terrifying, imagine your most discerning friend observing you, and imagine you're just talking to them.
No surgical tweaks. No Botox either. I think it is terrible, these girls in their late 20s injecting their faces and lips. One told me, If I kill my muscles now, I'll never get wrinkles. Can you imagine?
There's a starting place. And that starting place for everyone is ambition. We're all scared of that word today because they made it bad in the late '80s. As if desire is not a good thing.
I tend to be a lot more honest and transparent with employees than most bosses are. But I've had people tell me - even those who love working with me - that I'm terrifying, which is hard for me to imagine.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
I grew up in big cities my whole life, and in my late 20s, I just felt like I was looking for something else.
Professional motorcycle riders that are pretty young because it's a young man's sport. You're like out of your prime if you're in your mid to late 20s. Which is awful but a lot of guys still do ride into their late 20s. I rode. I just didn't do any of the jumps or races.
Because of my age and what I do for a living and the amount of time that I've spent away from my family and loved ones, I'm starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There's a darkness inside of me that I'm only now starting to come to grips with and accept. And it's starting to scare me.
To the darkness and the night, the spirits seem to have a natural claim - it is their realm; the boldest of us have sometimes felt an unaccountable creeping in the thick darkness.
There was a time in my late teens and early 20s where I was motivated by this wanting to get out, to prove to the world that I had something to offer - that kind of youthful spirit, where maybe I had my eye on fame and fortune. I mellowed out in my late 20s and now that I'm in my early 30s, I'm coming to peace with it.
Human society is the embodiment of changeless laws which the whimsicalities and circumstances of men and women involve and overwrap. The realm of literature is the realm of these accidental manners and humours--a spacious realm; and the true literary artist concerns himself mainly with them.
I'm really quite happy to say that in my early 40s, I wake up feeling sexy, and I can't say I felt that way in my late 20s.
I really think that the psychedelic realm is the realm of ideas, and that ideas which change the world come first from that place.
This site uses cookies to ensure you get the best experience. More info...
Got it!