I had my first band. it was kind of a progressive metal band kind of thing. I just started writing songs that required more and more challenging vocals, and I just did them. Necessity is the mother of invention, right? So I just sort of did what I had to do to make the songs sound the way I wanted them to.
If I had a choice, I would do comedy all the time. It's just the most challenging thing. To make someone laugh is the most challenging thing, and the most rewarding thing, in entertainment.
I wanted to be a songwriter.I didn't so much want to be a performer.I more grew into that just from being a songwriter.
I wasn't really writing anything that I felt was worth it at the end, but then certain things sparked me as a solo writer - to be able to try new things and experiment, and ultimately challenge myself as a performer and as a songwriter and just to commit to ideas, and not be afraid to be myself.
I never thought of myself as a performer or songwriter or singer.
The most important thing to me as a songwriter is the breath. The most important thing I could say to somebody is, 'Sometimes I just breathe you in.'
In my band, I'm the band leader. As a band leader, our job is to bring harmony to the voices we have on stage.
I think the most challenging part of being a performer is just making sure that people know that when you get up there every night, it's unique and that you care.
There's a good sarcasm and a camaraderie that comes after being in a band. And we've known each other forever. We've never been a band that fought or argued. As a songwriter, I'm really happy that the boys support me and contribute and that, but I've always wanted to be under the band Stereophonics.
I didn't start writing songs, honestly, until I started making my album. I was always doing poetry, but I never thought I could write songs. I discouraged myself and thought it was so hard. But starting this process and learning just what it is to be a songwriter and performer taught me that you don't have to feel discouraged about anything.
I always was really confident about myself, about my voice, myself as a person, my body, all of those things, but as a songwriter - I just didn't identify as a songwriter at all.
The most challenging work and the best work I've ever done was in a thing I did for PBS called 'Lemon Sky', a play by Lanford Wilson. I think it's the rawest, most complex work that I've had to do, and the thing I'm most proud of.
Doing jobs that are completely different to the last thing I did pushes me as an actor to change as much as I can. It would be easy for me to stay in a similar vein of characters or jobs, but I'm drawn to challenging myself.
Naturally, people's image is of a performer, but the reality of it is the writing for me has always been the most important thing and the most rewarding thing.
I'm a songwriter, actually. And when I say I'm a songwriter, I'm saying I can write songs for more than just myself.
One performer whose band played my music better than I could myself was Art Farmer. He recorded 'Sing Me Softly of the Blues' and 'Ad Infinitum'.