A Quote by Juliette Lewis
The praise for 'Cape Fear' will help me work more artfully - I can work with real artists, like Robert De Niro and the directors, and then go to artland, which is the best land to be in in this world.
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I was thrilled to work opposite Carl Reiner and Robert De Niro. Mr. Reiner was very chatty and delightful, but I learned that if you want Robert De Niro to like you, don't speak at all, and he'll be friendly to you.
Robert De Niro inspires me as a young actor; even at that age and even with that success you have to come to work fully prepared and ready to dive into it, it doesn't matter how far in your career you are. And that's what he did. It was a real wake up call for me because I know actors who let success get to their head and then it affects their work.
I'm a De Niro fan. I went eleven years without seeing a movie; the last one before that, February 1980, was De Niro and Scorsese in 'Raging Bull,' and when I went back, it was 'Cape Fear,' with De Niro and Scorsese. I picked up right where I left off at.
I would like to work with Jean Reno, and I think it would be amazing to work with Jim Carrey. I would quite like to work with Robert De Niro and probably Christopher Walken.
I've been fortunate to work with good directors who understand improvisation and understand the way comedians work. Luke Basan let me do my thing like do what you feel and take the character to another level. Quentin Tarrantino was more of an acting coach. He can teach you beats and then hell say go with it but give this feeling. So I've been fortunate to work with good, seasoned directors.
I grew up watching Marlon Brando, Christopher Walken, Robert de Niro, and Al Pacino and even Robert Duvall and was impressed by their caliber of work.
There are these fantasies among people who watch movies where they're like, "Oh, there's a chemistry between them - something going on." And sometimes there is. But for me, it's more like, I go to work, I do a job, I play a role, and then I go home. I don't wear a cape at home. I'm not an invulnerable alien at home.
I like working with directors because I'm really opinionated about what things work and may not work, what audiences like and may not like, (not really) but I do have opinions about things. I like to be able to say them and then have them acted on. The director who responds to me like that, always gets my appreciation. I do appreciate it. What I find is the best directors, no matter what kind of name they have, are like that.
Really, what I'm doing is an attempt to continue the best work of the people I adore: Francis Coppola and Scorsese and Robert Altman and Stanley Kubrick and those amazing directors whose work I grew up with and loved.
I like kids' work more than work by real artists any day.
Group Material is itself collaborative, which is non-hierarchical and we don't use the corporate model which is along lines of expertise but we work together and take responsibility as a group for every aspect of the work. And then there's a collaboration or dialogue with those artists and non-artists we work with, in terms of participation in the various projects.
We will have to work around the world with less than ideal governments. The government in Saudi Arabia is not a democracy, but we will have to work with them. The government in Jordan is not perfect, but we will have to work with them. But anti-American dictators like [Bashar] Assad, who help Hezbollah, who helped get those IEDs into Iraq, if they go, I will not shed a tear.
Great directors turn in mediocre work, and first-time directors turn in exceptional work. No matter how good a person can talk about what he wants, you never know. You just have to go with a good story and a script that you like and people that you like to work with.
I would love to work with Robert De Niro or Al Pacino. I think they're wonderful actors.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
I like to work with talented people, I must say that. That's my weakness. I really like to work with good directors. That doesn't mean I don't like to work with starting up young directors, that's fun also.
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